
ALT An image of a poem (“On the Reproduction of Images”) by Miriam Alex. It reads “On the Reproduction of Images, Past / At the beginning of time, / before the sea and the single-called,/ was film. Every little moment used to mean everything to us — / clementines, basketed and bathing in a pool of light, the gentle / ellipses of a robin’s pale egg — / and nothing at all. When it was warm, / we couldn’t remember the rain. / How could we? The light dim, / the camera ruined. / On the Reproduction of Images, Present / On your birthday, the neighbors / lounged in the kitchen. Your poured / the tea; I shut the bedroom door, / our clothes piling by street dogs. / After, you say a little mess / is unimportant, and we argue. Later, / all I find dated on the day / of your mother’s divorce is a vintage”

ALT Image of a poem on a table. Excerpt from “On the Reproduction of Images” by Miriam Alex. A portion reads “stamp. A receipt for a toasted, / sesame bagel. A spot of jam / blooms at the corner of the paper, / purpling beneath the window. / I don’t remember when we met, / just that we had. Sometimes, I wish / there was a love letter to name / the date, just to prove that it happened. / In the spring, I find another magazine / beneath your socks. The bodies / are pink, impossible. We fight again, / louder. Our anniversary leaks through our hands. You blow out / the candle. We cut the cake. / On the Reproduction of Images, Future / Every autumn, you ask for a photo / of us, laughing over Niagara Falls. / Every year, we look like tourists, / our ponchos bright and yellow. / You never mind. This is enough / for you — the record will stay full, / never waning. Look at that smile / you’ll say, and I’ll believe it every time. / On long days, I imagine a curator / writing about us.”

ALT A poem called Zombie Fiction by Miriam Alex. The text reads: Know that here, our sheets lay warm. Somewhere, a doctor lights a candle and prays. I remember how the cat licked where you used to hold, how my jaw clicked at collared shirts on sale. I medicated for heartburn when running past the cellists, felt for cysts at the scent of fresh rain. I suspect some part of me died, but no one can place it. I still think of your body rising from our bed, half-animate, mumbling about embargos and taxes and patience. When I call for you by habit, your name slips out a long, rotted note. The cat whines at the sound. What’s left of you still eats carelessly.

ALT Excerpt from short story "Wedding Fever." "Marcus was easy, and I appreciated that about him. When I told him the wedding had been canceled, he'd been sweet and uncomfortable, yielding half of our "non-refundable" retainer within minutes and offering me our somewhat-edited engagement photoshoot. I told him it was fine. I couldn't stand to see another hundred photos of Sam and I, anyways. I wondered if Sam had ever thought to ask for the photos, or return anything. With his shiny new IB job, he had the finances to leave it; he could have covered another three of these weddings, in any case. I offered to pay for half the wedding as a matter of principle, but I'd also never expected him to strand me in this bleak, unyielding ocean of debt. It's funny. Of all the things I questioned about Sam over the years, it was never his loyalty to me. Things change, of course. Men leave their fiancées for the Himalayas and for their coworkers."

ALT Wide-angle photo from NASA’s InSight lander on Mars shows the area in front of the lander in the late afternoon sun. Two science instruments tethered to the lander rest on the sandy surface nearby. Part of the lander’s robotic arm is visible extending down from the top left. Distortion from the wide-angle lens bends the distant horizon into a curved shape, while low-angle sunlight causes a small bluish lens flare on the right side.























