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Pixellated ponderings of an intrepid user of and slave to entertainment technology. #ThimbleweedPark Phone No. 2212

Toshe Station
Joined September 2011
Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)Photo by Andreas Wanda (@obiwandi)
Who‘s Johnny in Ocean Software‘s conversion of John Badham‘s classic #artificialintelligence#actioncomedy Short Circuit? instagram.com/p/DZvOAKKkWuq/… #retrogaming – at Astoria, OR
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These reviews are from CVG issue 1, which celebrates its 45th anniversary this month. And boy were they bare bones. Scores? Nah. Screenshots? Naaaah. Easy to read headlines and info? Naaaaaaaaaaaaaah. Walls of text and wobbly drawings? Yoooou betcha!
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Here’s a story for you. We started filming without owning the title and had to do alternates. Taft Broadcasting owned the title Ghostbusters as part of their half-hour sitcom starring Larry Storch and Forrest Tucker (F-Troop) and a gorilla chasing ghosts. I had never heard of it. They didn’t have proton packs or Bill Murray. Columbia paid $500,000 to buy the name, but they really should have paid Dean Martin, from whom I first heard the term. In the film Scared Stiff (1953), he and Jerry Lewis (check out his acrobatic stair descent) are in an old haunted castle, and Lizabeth Scott asks Dean: “Who are you guys?” And Dean answers: “You’ve heard of Trustbusters and Gangbusters, we’re Ghostbusters!” For my research writing the first movie, I watched every single ‘ghost’ comedy ever made. Bowery Boys, Hope and Crosby, Abbot and Costello, Martin and Lewis all did such films. Happy Halloween 2026.
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It took probably three Back to the Future movies before Michael and I truly got to know each other. But it would come, and we’ve been great friends ever since. #InMyOwnTime
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Here's the distinctive and memorable ad for this game. Its featured sports really did feel very different and highly interesting - and were all super-fun to play.
40 years ago I was being blown away by C64 World Games, yet another stellar entry in Epyx' benchmark Games series. This was the pinnacle of multi-event sports games, featuring top-of-the-line audiovisuals and superbly tuned, extremely fun gameplay. A massive all-time classic.
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Cinema endgame & quarrelsome encores: why we should enjoy movie-going again obiwandi.at/?p=1971 @dunemovie @Avengers
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We must have had some documentation on the CD32 because we knew how to get it to play CD tunes. We were so happy that the CPU was going twice as fast that we didn`t find out about more hardware sprites. We knew about more bitplanes and colours.
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🩵 Commodore 64 Memories ... Title: The Last Ninja 🥷 Developer: Mark Cale, John Twiddy Company: System 3 Publisher: System 3, Activision Musician: Ben Daglish, Anthony Lees Released: 1987 #Commodore #Commodore64 #C64 #RetroGaming #RetroComputing #80s
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Road Runner. US Gold, 1987. #C64 #Commodore🔊🎶
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40 years ago, the ZZAP! team was being wowed by Chris Butler's C64 Ghosts 'n Goblins port. It was remarkable all things considered, with excellent audiovisuals and gameplay that reflected the original coin-op surprisingly accurately with just a few acceptable compromises.
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I felt Miami Vice by Ocean was a proto-GTA with merciless/terrible collision detection that may have lent itself to a series of "case" tapes/disks. Here is my take on it on @Instagram instagram.com/p/C_8vZsYoKg0/…
40 years ago, Ocean marketed Miami Vice with this absolutely killer Bob Wakelin piece. As was unfortunately often the case with Ocean games during this period, the ad was a million times better than the game - which was kinda okay on Speccy and effin' terrible on C64/Amstrad.
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40 years ago, Ocean was advertising Sensible Software's Parallax with this iconic ad. Just a very cool and distinctive piece of art that really jumped off the page.
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Donkey Kong is 45 years old this month. This terrific, highly innovative platformer was a huge arcade hit that put Nintendo on the map. It featured the eponymous ape, Jumpman AKA Little Mario the carpenter, and "Lady" - the yet unnamed Pauline. Absolute all-time Golden Age great.
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40 years ago, this Green Beret cover was one of ZZAP!'s all-time greats. Just fan-freakin'-tastic stuff. Really stood out on the newsstands. Top reviews: Green Beret 93%, Tau Ceti 93%, Kik Start II 96%, Infiltrator 92%, Murder on the Mississippi 89%, and Superstar Ping Pong 85%.
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If #ZXSpectrum artwork was made with real models instead of illustrations pt.8 1. Jet Pac 2. Atic Atac 3. Nightshade 4. Cyberun Original art by Tim Stamper, released by #UltimatePlayTheGame #RetroGaming
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40 years ago, Atari and Commodore were investing big on high-end systems (that ultimately confused the market and watered down their product lines). Meanwhile, MS-DOS "IBM compatible" systems were gaining huge market momentum as CPM-based PCs began fading away.
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40 years ago, I was experiencing the highs and lows of Commodore gaming. Kik Start II was fantastically good fun (especially two-player) while cheap 'n tawdry Samantha Fox Strip Poker was an absolute steaming pile of old cack with terrible gameplay and laughably bad graphics.
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With deep respect and affection
Happy birthday Mel Brooks — and thanks for the laughs! ‘Blazing Saddles’ director turning 100 trib.al/BW5FpLV
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