Find some fun in Art…
Joined April 2020
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0xD07a8F63102b3Bf979961417acD2680B2d3f34b9
lets go!
Thank you to @rybinfx for bringing Crawlers to the Daily Program, and to @opensea for collaborating on this release. Thank you, as always, to our collectors and community for continuing to support artists working with interactive and generative systems. ⚡️
To celebrate Slava's genesis collection, he has kindly offered 33 free mints. Anyone from the community can participate. Please share this tweet and reply with your ETH wallet address, and we will add you to the list of eligible wallets. We will select the 33 wallets by Wednesday, October 28 at 1 PM ET. Once selected, you can mint in the Community mint section at 12:40 PM ET. Good luck, everyone!
🗓️ Public mint this Thursday, October 29, 1:00 PM ET
🔗 opensea.io/collection/crawle…
Eric retweeted
Western Flag to centre, the weight of history upon the present. Flare to right, the burning present pointing to an infernal future. To left is STANDARD a utopian dream of sustainability and a borderless re-relation to the commons. Deepest gratitude to the makers credited below. To @0xShiroi on art token, to @fellowshiptrust for presenting. To @ArtBasel for 010, curated and located beautifully by @trevorpaglen and @eli_schein. The first time this triptch of Flags is united and a deeply proud and moving moment for me on many many levels / jg
Algorithmic Synesthesia CC mint out before public sale.
This clearly demonstrates the collector's fondness for the works displayed at Art Basel HK.
Why do I see desire, gender, and male/female in these works?
Eric retweeted
Tomorrow is #EARTHDAY and to acknowledge join to hear artist john gerrard, introduced by Nicky Wilson, Director of Jupiter Artland present an artist Talk: Simulation, Infrastructure, Invisibility. Wednesday 22 April, 6:30–7:30pm GMT, 45mins + 10min Q&A, via Zoom. REGISTER HERE :
eventbrite.co.uk/e/online-ar…
'The industrial present and recent past intertwine on-site at Jupiter through Extraction: North Sea oil infrastructure, data centres, the hidden systems that power contemporary life. john gerrard's work makes visible what we prefer not to see. This artist talk marks the start of our public programme for Extraction, an exhibition exploring the cultural, psychological and environmental legacies of energy systems. The programme continues through to July, with online talks, curator tours and artist workshops.
Eric retweeted
RJ | The Eyes
128 editions minted 🔥
Congratulations and gratitude to every collector, and to @RJ16848519 for bringing such a timely and playful series to life - one that really reflects the moment we’re in.
Eric retweeted
1/3 The Verse Talent Redistribution Scheme
A farming initiative, sponsored by @Tabcorp_HR.
This week we will be redistributing:
3️⃣ Birthday-Grade Comedy Core 'Clowns'
6️⃣ Ordinary Resources
Retweet to be considered for the resource attached. More ways to qualify below ↓
Eric retweeted
Experiential Winner
@quasimondo
Appropriate Response, 2020
digitalartawards.io/content/…
Eric retweeted
Means the world when someone collects your work with conviction.
Stoked to see @otherworld_xx acquiring Not Done Yet as part of @batsoupyum and @musicalnetta's monthly call.
He now holds 8 pieces of the series.
Couldn't be happier to see where this one is going ❤️
Eric retweeted
Fairly remarkable this - the @iki_jima workforce spans all 100 job types. 10 per class.
Man means business.
gallery.so/iki_jima/gallerie…
These days, even rap stars have to work for companies.
pfp_08732
Coming from #HumanResources
@verse_works @HR_TaborRobak
🤖 Made with AI
Eric retweeted
Positioning myself as a bag holding Tabcorp KOL. Sniping iconic Art from a paradigm changing collection before first gen KOLs wake up.
I purchased the only black dude in the collection for 75x mint price. Am I crazy? Am I early? Am I just having fun? Am I seeing something?
Anyways, I listed him for one million ETH, just because it feels the right thing to do. Putting a price on humans also feels so wrong. Buying a black guy as a white guy feels dangerous. So much about this project feels dangerous and wrong and at the same time genius and right. This is the hallmark of great art. It is full of paradox, it is simultaneously unsettling and beautiful - multi dimensional and completely not obvious. How many smart people have tried since Punks to create an original PFP and not really moved the paradigm?
But seriously, coming back to my first point. To buy a HR may precipitate an identity crisis so only proceed if you are 'really here for the Art'.
