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wrote about my favorite album of the year by a band that continues to surprise me. bangers on bangers of every shape and size. a brutally fun 31-minute masterpiece that shoehorns meathead hardcore, art/noise guitar textures, seattle-via-nola grunge, and even houston rap
From nu-metal to Madchester and beyond, the Austin metal trio Portrayal of Guilt's ambitious fourth album brings all their disparate influences under one roof
pitchfork.com/reviews/albums…
love how british legal terms make grisly events sound whimsical. beat the shit out of someone in public? you’re charged with “affray.” alcohol poisoning? that’s “death by misadventure”
had a dream that smashing pumpkins brought out opener nirosta steel to sing “mayonaise” with them. it was very clear he didn’t know the lyrics or tempo and it was the worst thing i’ve ever heard in my life
going 1-13 from the field was also a sly reference to the age range targeted by the subjects of to catch a predator
i feel insane watching sga hit the most preposterous shots with zero trace of foul baiting. if he becomes an ethical hooper this will be the most bizarro nba season of my life
reviewed one of my all-time favorite bands this week; reviewing another next week
Deafheaven's surprise new EP blatantly evokes a period in the mid-’90s when, across Europe, guys in corpse paint started playing around with Korg workstations
pitchfork.com/reviews/albums…
Patrick Lyons retweeted
here is the cover of deafheaven’s new ep overlaid with the opening sentence of my review
expressive but also ornate but also unpretentious writing. excellent stuff
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