i made a weird programming language called @in_verse_ .
Joined May 2020
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sukanya retweeted
1/ Today we are announcing a huge milestone: we are no longer in beta. With Felt 1.0 comes a suite of tools for sophisticated groups and organizations, such as Teams, Team Libraries, and new features for professionals 🎉 felt.com/blog/felt-reaches-1…
sukanya retweeted
Announcing our *biggest* launch yet: new tools for working with data inside @felt. In a single click, you can upload up to 5GB of data, style it, and share it with the world. This kind of mapping power & fun has never been available before. Read on…🧵felt.com/blog/put-your-data-…
sukanya retweeted
Artist Daniel Temkin @rottytooth writes about the community-based and collaborative “esolangs” that point to other threads of digital art histories not much discussed. hyperallergic.com/701981/pro…
sukanya retweeted
An intro to esolangs as art, including work by Jon Corbett, @dmmaus, @playdo_, Bora Aydıntuğ, @aemkei, and writing by @markcmarino and @OutiKaarina, more... hyperallergic.com/701981/pro…
Happy and proud to have worked on this incredible resource with an amazing team ♥️
#threejs #r3f #reactthreefiber
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sukanya retweeted
Looking for researchers, story tellers, and managers to join our team @DigiFuturesLab and grow our work on AI, platform governance and digital rights in India and the global south. Details below!
Job Alert! If you work at the intersection of tech and social justice, and believe in the power of research and storytelling in driving positive social change, get in touch! We are looking for researchers,storytellers and managers to join our team - digitalfutureslab.notion.sit…
sukanya retweeted
Best Online Feature goes to @tariro, Hannah Price, @vvchambers, @dodaistewart, @marcellehopkins, @jen_harlan, Amanda Webster, Sukanya Aneja, and Woraya "Mint" Boonyapanachoti from the @nyt for "Hear a Harlem Choir Rejoice Again."
nytimes.com/interactive/2021…
sukanya retweeted
Rhizome Artbase has acquired not one but TWO esolang projects: in:verse by Sukanya Aneja (prev featured on e.c), my own FatFinger.JS. Also a project by Peter Wildman (whose thesis project appeared on e.c). Lots of other code poetic works here as well rhizome.org/editorial/2021/d…
sukanya retweeted
We have added fifteen artworks to the ArtBase as a part of our Executable Poetry open call! These mark the first formal accessions since the relaunch of the ArtBase in April 2021 ⭐️
rhizome.org/editorial/2021/d…
sukanya retweeted
To complement our photogrammetry guides, we released 2 open-source libraries for creating interactive 3D stories: Story Controls bit.ly/39WgRhF and 3D Tile Loader bit.ly/3wqhdrr.
Both are built for use with Three.js and support @CesiumJS & @RealityCapture_
sukanya retweeted
Did you see? Sketchfab is featured by the @nytimes R&D team as part of their end-to-end guide to #photogrammetry 😎
You can download a webpage template to create your own 'scrollytelling' page as shown in this video.
🔗 nyti.ms/3CQJ2uP
sukanya retweeted
Have questions about using #photogrammetry to create 3D models for the web?
Ask R&D team members @_woraya_, @splnlss, and @playdo_!
Reply below with questions, and we'll answer them on Friday, 10/1 at 12 pm ET 👇
sukanya retweeted
With support from @ONA, we compiled a series of guides, demos and open-source tools to help anyone create high-quality 3D models for the web. Minimal specialty equipment required.
Explore our end-to-end guide to #photogrammetry here: nyti.ms/3Eboizn
sukanya retweeted
It's a pleasure to present 6 months of hard work, creating our guide for using mobile photogrammetry to tell stories on the web. Enjoy! #photogrammetry #realitycapture Thx @_woraya_ @playdo_ @Avnerus @willak
With support from @ONA, we compiled a series of guides, demos and open-source tools to help anyone create high-quality 3D models for the web. Minimal specialty equipment required.
Explore our end-to-end guide to #photogrammetry here: nyti.ms/3Eboizn
sukanya retweeted
Found the amazing in::verse site by @playdo_ where your shader code becomes poetry. Or your poetry becomes art. It's hard to say.
gallery.inverse.website/?ske…
come write some poetic shaders with me this weekend at @codame! [saturday, dec19, 5pm est]
🎆🌈🎇ANNOUNCED:Poetic Programming with In:Verse w/Sukanya Aneja🎆🎉🎇 @playdo_ @in_verse_
Coming to #CODAME ART+TECH Festival 2020『JOYNT』
codame.com/events/poetic-pro…
Sat Dec 19 2- 5:30p PT
Create visual poetry with in:verse-with a brief intro to shaders and stack-based programming
excited to be a part of this and work alongside these awesome people! 🥳
We're so excited to introduce our cohort for the Babycastles ___-in-Residence Autumn 2020! 🤩
The residents are Rachel Li @rachelqxl929, Kevin Cadena @cuyabro, Allan Pichardo @allanpichardo & Sukanya Aneja @playdo
More info on them in this thread ⬇️
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sukanya retweeted
The Forest by Bora Aydintug
The second image was generated from the poem in the first using @in_verse_: a poetic programming language.
I felt that the image looks like a large building reflected in on itself.
7/16
ALT The Forest noise intoxicates way with one hunter hunts lifts knife rather with away, where lift rather pendulum who with one lift feeds the forest thirst rather key one dangles who feeds with flow thirst of the forest intoxicates the hunted forest tight hunt way dangle knife one hunger where feeds the hunted hearse cap pendulum dangle, away with the forest, way with one away with the knife flow pendulum away you flow,, pendulum way who would we rather? pendulum where, who feeds the numb hunter lift on flow one who flows
❤️
I am immediately enamored with @in_verse_.
a) it makes awesome visuals from text
b) the environment is friendly
c) the partial, flexible word table is a treasure of a constraint to puzzle through
d) the sample stacks are amazing blueprints for getting into things
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poetry to shader with @OpenAI's #gpt3, based on sketches written with @in_verse_ ... I had to. It generates valid GLSL after seeing just 3 pairings of @in_verse_ code and the compiled shader. (It also generates invalid code all the time, obviously.)