corey

1/ gm Marfa. Introducing the @glitchmarfa track for @artblocks_io Weekend 2026.

dying is not enough 'the next 1000x' by @glitchmarfa the first, last, and only episode @toadswiback x @derekedws

when will you realize that dying is not enough @toadswiback x @glitchmarfa

on September 23 2023, glitch Gallery exhibited ‘beef brothko’ by @toadswiback beef brothko the title announces its reference plainly: Mark Rothko's stacked color fields, refracted through the lens of the artist’s signature abattoir aesthetics the 666 works in the collection were hand painted, photographed, then put through an LLM for die’s first generative AI collection each composition borrows Rothko's formal vocabulary: soft-edged horizontal bands, luminous gradients, meditative composition but the palette has been brutally ironized reds recall not spiritual transcendence but raw tissue the canvas is a battlefield. paint drips down like rendering fluids the work belongs to a lineage of desublimation where Rothko sought the sublime, diewiththemostlikes offers the abject the gesture is not parody but inversion the same forms, the same silence, reoriented toward flesh and decay there is no abstract, no figurative, no revolution. there is only the physical reality of the flesh together with @TransientLabs, glitch Gallery presented ‘beef brothko’ alongside a performative ‘Pawn Stars Marfa’ flea market during Art Blocks Weekend 2023 in Marfa, Texas hundreds of flea-market patrons piled in bartering. yelling. mayhem. objects exchanged with atmosphere tipping toward frenzy the installation collapsed the distance between art fair and debauchery between acquisition and consumption while the flea market unfolded, the entire scene was broadcast on social media. the 666 digital works, made available for .0369 ETH, began trading on the internet a performative collapse of the digital and the physical today, our curation team is honored to immortalize diewiththemostlikes ‘beef brothko’ exhibition at @glitchmarfa, as a digital exhibition poster on the ethereum blockchain first, to our @glitchmarfa full set holders, our community of passionate art collectors since 2023 all unique ‘Full Set’ holders – a total of 187 unique wallets – were airdropped one of these digital exhibition posters earlier today you can now view your poster directly from any wallet interface, or at transient.xyz/@glitchGallery… for all other @glitchmarfa supporters or diewiththemostlikes collectors – we’re excited to give folks the opportunity to redeem any number of ‘‘beef brothko’ posters – until July 13th, 2026 – using @TransientLabs ‘burn and redeem’ product instructions: if you own *any* previous ‘Exhibition Poster’ from @glitchmarfa, from now until July 13th, 2026 you can ‘burn and redeem’ any single poster from the ‘Exhibition Posters’ contract and immediately receive a ‘‘beef brothko’ poster in return, at the below link on @transientlabs: transient.xyz/redemption/eth… please redeem as many posters as you’d like during the window, which will end on July 13th, 2026 @ 8:00 AM (PT) as always, we’re grateful for your support long live crypto art your glitch curators - @magey_mage, @maltefr_eth, @derekedws

on October 17 2025, glitch Gallery exhibited ‘Plinths’ by @Pakmanscoop unveiled during Art Blocks Weekend 2025, Plinths marks the object designer's first collection the series consists of seven light sculptures, each a rectangular form emitting programmed light together they trace a familiar emotional arc – the ebb and flow of euphoria and anguish rendered as light, colour, and rhythm presented at glitch Gallery, it was also the artist’s first large-scale collaboration alongside the static installation, the gallery premiered ‘Shadow Box’, an interdisciplinary performance situating the sculptures within live improvisational dance choreographed by @harriet_waghorn in collaboration with gallery director @magey_mage, the performance treated the objects not as backdrop but as participants, their shifting light shaping the movement in real time each linked to an individual ethereum object, ‘Plinths’ materializes crypto art beyond the screen the work insists on physical presence, on the object as a medium for generative design seven states, seven forms a meaningful study in repetition and variation today, our curation team is honored to immortalize Pakmanscoop’s ‘Plinths’ exhibition at @glitchmarfa, as a digital exhibition poster on the ethereum blockchain first, to our @glitchmarfa full set holders, our community of passionate art collectors since 2023 all unique ‘Full Set’ holders – a total of 187 unique wallets – were airdropped one of these digital exhibition posters earlier today you can now view your poster directly from any wallet interface, or at transient.xyz/@glitchGallery… for all other @glitchmarfa supporters or Pakmanscoop collectors – we’re excited to give folks the opportunity to redeem any number of ‘Plinths’ posters – until July 13th, 2026 – using @TransientLabs ‘burn and redeem’ product instructions: if you own *any* previous @glitchmarfa ‘Exhibition Poster’ from @glitchmarfa, from now until July 13th, 2026 you can ‘burn and redeem’ any single poster from the ‘Exhibition Posters’ contract and immediately receive a ‘Plinths’ poster in return, at the below link on @transientlabs: transient.xyz/redemption/eth… please redeem as many posters as you’d like during the window, which will end on July 13th, 2026 @ 8:00 AM (PT) as always, we’re grateful for your support long live crypto art your glitch curators - @magey_mage, @maltefr_eth, @derekedws

on November 11 2022, glitch Gallery exhibited ‘Computer Cowgirls’ by Molly Dickson the collection is composed of 201 animated artworks on ethereum Dickson hand assembled and collage-animated each figure, one by one, drawing on her practice at the intersection of photography and digital collage as a result, each cowgirl appears to ‘shimmy’ her way down a campy rhinestone road the work is unapologetically female in its aesthetic indeed, it is as much unserious as it is serious, skillful as it is improvisational – defining features of Dickson’s oeuvre notably, the collection originated as a response to restrictive legislation passed in Texas in early 2022 the cowgirl, a figure of American mythology and feminine self-possession, is repurposed here as a vehicle for dissent 100% of the collection's proceeds went directly to fund women’s health organizations in Texas, while the ‘Computer Cowgirls’ collection was covered across national news outlets in early summer 2022 in many ways, the collection led the charge for other crypto art projects to use blockchains as a mechanism for charitable donations and political change ‘Computer Cowgirls’ was the first exhibition presented during Art Blocks Weekend in 2022 interdisciplinary by nature, the show gave visitors multiple ways to engage with Dickson’s work – watching the cowgirls shimmy through AR technology, taking mugshot-style Polaroid selfies in the back of the gallery, scanning cigarette cartons to claim artist-designed merch today, our curation team is honored to immortalize Molly Dickson’s ‘Computer Cowgirls’ exhibition at @glitchmarfa, as a digital exhibition poster on ethereum first, to our @glitchmarfa full set holders, our community of passionate art collectors since 2023 all unique ‘Full Set’ holders – a total of 187 unique wallets – were airdropped one of these digital exhibition posters earlier today you can now view your poster directly from any wallet interface, or at transient.xyz/@glitchGallery… for all other @glitchmarfa supporters or Molly Dickson collectors – we’re excited to give folks the opportunity to redeem any number of ‘Computer Cowgirl’ posters – until July 13th, 2026 – using @TransientLabs ‘burn and redeem’ product instructions: if you own *any* previous @glitchmarfa ‘Exhibition Poster’ from @glitchmarfa, from now until July 13th, 2026 you can ‘burn and redeem’ any single poster from the ‘Exhibition Posters’ contract and immediately receive a ‘Computer Cowgirls’ poster in return, at the below link on @transientlabs: transient.xyz/redemption/eth… please redeem as many posters as you’d like during the window, which will end on July 13th, 2026 @ 8:00 AM (PT) as always, we’re grateful for your support long live crypto art your glitch curators - @magey_mage, @maltefr_eth, @derekedws