While the boundaries of what audiences are willing to accept on screen have shifted considerably over the intervening 55 years, Ken Russell’s #TheDevils remains genuinely disturbing, frequently outrageous and unexpectedly moving. theaureview.com/watch/film-r…

Téa Leoni is back on our television screens in the sitcom landscape we’ve so desperately missed her in. Over at @theAUreview I wrote about #Newlyweds (@peacock @nbc) as a welcome reminder of the joy of multi-camera comedy. theaureview.com/watch/tv/opi…

Such fun! I wrote about why the world doesn’t just want a #Miranda (@mermhart) revival, it needs it! My opinion piece for @theAUreview. theaureview.com/watch/mirand…

TROJAN SOULS is one of music’s great lost albums. George Michael’s unreleased collaboration project remains shrouded in mystery, and to mark an exclusive behind-the-scenes look at its creation, I spoke with George’s lifelong friend Andros Georgiou. theaureview.com/watch/interv…

As #TheTerminalList streams on @PrimeVideo, I spoke to Luke Hemsworth about the charismatic cruelty and psychological warfare of the second season. theaureview.com/watch/interv…

Millennial nostalgia and pure pop joy abound on the opening night of @HilaryDuff’s Australian #LuckyMe leg. My review online at @theAUreview. theaureview.com/music/live-r…

Who does Inde Navarrette think Nikki’s favourite drag queen would be? youtu.be/YvXGveB46X8?si=H_q0…

For LAIKA Studios, the commitment to creating something tangible has always been part of its cinematic identity, and with #Wildwood, the studio has delivered its most ambitious and visually spectacular achievement to date. My full review at @cinefiedcom. cinefied.com/post/wildwood-r…

A gruesome, uncompromising and unexpectedly affecting descent into villainy, #Clayface finds DC Studios embracing its darker instincts with considerable confidence. My full review online at @theAUreview. theaureview.com/watch/film-r…

Maybe it was the horrid reviews and low expectations, but I didn’t hate #KlaraAndTheSun. It’s a mixed bag and there’s one particular scene that REALLY kills any good faith, but Jenna Ortega absolutely shines and keeps it afloat. Occasionally whimsical and tremendously sad.

As #TheTerminalList Season 2 premieres on @PrimeVideo, I spoke to executive producers David DiGilio and Jared Shaw about finding purpose beyond revenge, and the true cost of heroism. theaureview.com/watch/interv…

Philosophical chats for #Clayface

My two cents on the CLAYFACE embargo drama: I saw OTHER MOMMY on opening day at a general screening. No studio invite, no embargo. Reviewed and submitted it. Turns out there was a US embargo, so my review couldn’t count til then. So yes, the CLAYFACE embargo on RT HAS been broken

#Wildwood is truly epic! It’s breathtakingly beautiful to view, has impeccably crafted set pieces, deeply emotional and shockingly dark at times (families with young kids, be cautious). Please support this! Also, Carey Mulligan’s voice work is as rich as it is terrifying.

The cautionary tales of #Clayface

The late 90s/early 2000s obsession with Anna Nicole Smith provides the backdrop for #TrustMeImADoctor, an intriguing, if uneven, dramatisation of the legal controversy that followed her death. My @cinefiedcom review. cinefied.com/post/trust-me-i…

I had the pleasure of speaking to Wanda Sykes (@iamwandasykes) about her latest stand-up special #Legacy, finding hope through humour, and when to know NOT to tell a joke. theaureview.com/watch/interv…

Ahead of #Clayface arriving in theatres this week, I spoke to stars Tom Rhys Harries and Naomi Ackie about the destructive nature of ambition and the desire to be seen. theaureview.com/watch/interv…

In case any Aussies wanted to know, CLUB KID has secured a January 14th, 2027 release.

Now streaming on @AppleTV, #Tenzing scales extraordinary heights as a beautifully crafted but conventional biopic. My review online at @theAUreview. theaureview.com/watch/film-r…