Susannah Herbert retweeted
Some sanity at last from @edballs after a whole lot of nonsense from the PM and others . I don't know when it is exactly but happy Ed Balls day!
Susannah Herbert retweeted
X - I need your urgent help.
My new film 5 SOLDIERS is due to screen at Hereford Military Festival at The Courtyard on Sunday 27 September.
It has been on sale since 7 May.
I have just been told it has sold ZERO tickets.
Zero.
This is a film about soldiers’ bodies, training, injury, courage, fear, comradeship, trauma, recovery and service. It was made after years of working with soldiers, veterans and military families. It is not party political. It is humane, serious and, I believe, necessary.
If we cannot sell tickets, the screening may not go ahead.
So I am asking directly: please help me save this screening.
Buy a ticket. Bring someone. Share this. Tag anyone in Hereford, the Armed Forces, veterans’ networks, military history circles, dance, film, culture or anyone who believes that art about soldiers still matters.
Zero tickets is not normal.
Let’s change that.
Hereford, Sunday 27 September, 2.30pm.
Booking link:
courtyard.org.uk/events/5-so…
Please RT and share!
Susannah Herbert retweeted
UK publishers! Nominate yr best non-fiction of 2026 for the 71st Pol Roger Duff Cooper Prize so our eminent judges - led by @artemis_cooper (below, with latest winner @TimPBouverie ) - can choose what to call in. The form is here: send it in soon 🍾📚🍾duffcooperprize.org/about/ho…
Susannah Herbert retweeted
One for discerning book lovers everywhere. Volumes signed by Giorghiu-Dej, Honecker, Brezhnev, etc
Susannah Herbert retweeted
My latest Business Adventure is on Kodak, the powerhouse that invented mass market photography and flourished for a century. Then in 1975, a young engineer created a fatal product, the digital camera.
open.substack.com/pub/jonath…
Susannah Herbert retweeted
Congratulations to 'brilliant young historian' @TimBouverie on winning the 70th #DuffCooperPrize for the fast-paced, wide-ranging & resonant Allies At War: The Politics of Defeating Hitler. duffcooperprize.org @PolRogerEpernay @NewCollegeOx
Susannah Herbert retweeted
Keith the Apocalypse Bringer is a three-year-old Anglo-Nubian goat in a field in Devon.
Keith should not be underestimated.
Keith has been systematically dismantling the ecosystem since approximately 7am, when he ate a bramble. This is significant because bramble is an invasive scrub species that outcompetes wildflowers, reduces biodiversity, and creates dense monoculture thicket that nothing else can use.
Keith ate it. Keith does this every day. Keith does not charge for this service.
8:15am - Keith ate a thistle. Thistles are also considered invasive scrub in managed pasture. Goldfinches eat thistle seeds, but Keith's grazing will ensure the pasture remains open enough for the ground-nesting birds that can't use dense scrub. Keith has not attended a conservation workshop. Keith arrived at this conclusion by being a goat.
9:00am - Keith dismantled a section of hedge. This was less helpful. Keith does not have a perfect record.
10:30am - Keith escaped the field. He was in the road for eleven minutes. He ate a neighbour's rose. This is not being counted in Keith's environmental impact assessment.
11:00am - Keith was returned to the field. Keith regarded the farmer with the specific expression of an animal that does not recognise the concept of property.
12:00pm - Keith ate more bramble. His digestive system: four stomachs, a rumen full of specialised microorganisms, the ability to extract nutrition from lignified plant matter that would defeat any other animal on this field, is converting scrub vegetation into milk with a fat content of approximately 4.5%. The milk will become cheese. The cheese will be sold at the farm shop. The farm shop is four miles away. The cheese food miles are: four.
3:00pm - Keith produced manure. The manure will grow the grass. The grass will grow the bramble. The bramble will be eaten by Keith.
This system has no inputs.
It has been running since goats were domesticated approximately ten thousand years ago.
Keith is not aware he is saving the planet.
Keith is thinking about whether the fence on the north side has a weak point.
It does. Keith found it at 4:45pm.
Keith got out again.
Susannah Herbert retweeted
All five great nonfiction titles shortlisted for @DuffCooperPrize are on sale via @bookshop_org_UK, which supports indy bookstores. 📚📚📚uk.bookshop.org/shop/polroge…
Susannah Herbert retweeted
Our judges highly recommend A Scandal in Königsberg by @Clarkstopher and congratulate its publisher
@AllenLaneBooks on its shortlisting for the 70th
@DuffCooperPrize duffcooperprize.org/portfoli…
Susannah Herbert retweeted
Shout out for @mrianleslie & the shortlisting of his captivating take on the relationship that powered the #Beatles John and Paul: A Love Story in Songs @FaberBooks duffcooperprize.org/portfoli…
Susannah Herbert retweeted
And three cheers for wilderness, as explored by #AdamWeymouth in his tremendous Lone Wolf: Walking the Faultlines of Europe @HutchHeinemann @CWAgencyUK duffcooperprize.org/portfoli…
Susannah Herbert retweeted
Read the great non-fiction authors on our 70th anniversary shortlist. Heartiest congrats to @TimPBouverie @Clarkstopher @mrianleslie #AdamWeymouth #RichardHolmes 🍾📚🍾
Susannah Herbert retweeted
On the 7th of May, 1977, the poet Philip Larkin gave Monica Jones the book 'Thorburn's Mammals' for her 55th birthday. Inside the flyleaf, he wrote:
'The little lives of earth and form,
Of finding food, and keeping warm,
Are not like ours, and yet
A kinship lingers nonetheless:
We hanker for the homeliness
Of den, and hole, and set.
And this identity we feel
- Perhaps not right, perhaps not real -
Will link us constantly;
I see the rock, the clay, the chalk,
The flattened grass, the swaying stalk,
And it is you I see.'
The poem was not published in his lifetime, but it was offered by Monica to Anthony Thwaite for the first edition of Collected Poems in 1988. Since then, it has become one of Larkin's best loved poems.
Larkin usually worked over his poems for weeks and months, but just a single draft of this one exists, dated 6 May 1977 (the day before Monica's birthday), inserted as a loose sheet into the back of one of his workbooks. There are just a few minor differences to the final text. (Reference Burnett, 2014).
Archibald Thorburn was an artist who specialised in paintings of wildlife. His 'Thorburn's Mammals', originally published in two volumes in 1920 and 1921, contains fifty colour prints depicting almost all the species of mammals in the British Isles. The 1974 reissue has an introduction by David Attenborough.
And here are two geese, two hares, a rabbit and a mouse at the feet of St Francis, a detail of glass by Powell & Sons, 1920 at Aldborough, Norfolk. A partridge looks in from the top. Little lives.
Susannah Herbert retweeted
Join Sue Prideaux, along with The Pol Roger Duff Cooper Prize judges Artemis Cooper & Miles Young, and @calrevelycalder, over a glass of fizz at @NewCollegeOx as part of @oxfordlitfest.
Noon, Friday 4th April, book now:
oxfordliteraryfestival.org/l…
Susannah Herbert retweeted
“‘The Polynesians loved him’: the astonishing revelations that cast Paul Gauguin in a new light”
Sue Prideaux discusses her Pol Roger Duff Cooper Prize-winning biography Wild Thing: A Life of Paul Gauguin in today’s @GuardianBooks.
theguardian.com/artanddesign…
Susannah Herbert retweeted
Excellent texte de Christophe Clavé :
"La disparition progressive des temps (subjonctif, passé simple, imparfait, formes composées du futur, participe passé…) donne lieu à une pensée au présent, limitée à l’instant, incapable de projections dans le temps. La généralisation du tutoiement, la disparition des majuscules et de la ponctuation sont autant de coups mortels portés à la subtilité de l’expression. Supprimer le mot « mademoiselle » est non seulement renoncer à l’esthétique d’un mot, mais également promouvoir l’idée qu’entre une petite fille et une femme il n’y a rien. Moins de mots et moins de verbes conjugués c’est moins de capacités à exprimer les émotions et moins de possibilité d’élaborer une pensée. Des études ont montré qu’une partie de la violence dans la sphère publique et privée provient directement de l’incapacité à mettre des mots sur les émotions. Sans mot pour construire un raisonnement, la pensée complexe chère à Edgar Morin est entravée, rendue impossible. Plus le langage est pauvre, moins la pensée existe. L’histoire est riche d’exemples et les écrits sont nombreux de Georges Orwell dans 1984 à Ray Bradbury dans Fahrenheit 451 qui ont relaté comment les dictatures de toutes obédiences entravaient la pensée en réduisant et tordant le nombre et le sens des mots. Il n’y a pas de pensée critique sans pensée. Et il n’y a pas de pensée sans mots. Comment construire une pensée hypothético-déductive sans maîtrise du conditionnel? Comment envisager l’avenir sans conjugaison au futur? Comment appréhender une temporalité, une succession d’éléments dans le temps, qu’ils soient passés ou à venir, ainsi que leur durée relative, sans une langue qui fait la différence entre ce qui aurait pu être, ce qui a été, ce qui est, ce qui pourrait advenir, et ce qui sera après que ce qui pourrait advenir soit advenu? Si un cri de ralliement devait se faire entendre aujourd’hui, ce serait celui, adressé aux parents et aux enseignants: faites parler, lire et écrire vos enfants, vos élèves, vos étudiants. Enseignez et pratiquez la langue dans ses formes les plus variées, même si elle semble compliquée, surtout si elle est compliquée. Parce que dans cet effort se trouve la liberté. Ceux qui expliquent à longueur de temps qu’il faut simplifier l’orthographe, purger la langue de ses «défauts», abolir les genres, les temps, les nuances, tout ce qui crée de la complexité sont les fossoyeurs de l’esprit humain. Il n’est pas de liberté sans exigences. Il n’est pas de beauté sans la pensée de la beauté".
Susannah Herbert retweeted
Congratulations to Sue Prideaux winner of The Pol Roger Duff Cooper Prize 2025 for Wild Thing: A Life of Paul Gauguin, published by @FaberBooks. 🍾
Susannah Herbert retweeted
To celebrate The Pol Roger Duff Cooper 2025, each Friday we’ve profiled a shortlisted book. In our final week, before we announce the winner on Monday, discover Impossible Monsters: Dinosaurs, Darwin and the War between Science and Religion by Michael Taylor (@TheBodleyHead).🧵
Susannah Herbert retweeted
To celebrate The Pol Roger Duff Cooper 2025, each Friday we’re profiling a shortlisted book. This week we dive into Wild Thing: A Life of Paul Gauguin by Sue Prideaux (@FaberBooks). 🧵
Susannah Herbert retweeted
To celebrate The Pol Roger Duff Cooper 2025, each Friday we’re profiling to a different shortlisted book. This week we’re raising a glass to THE SCAPEGOAT: The Brilliant Brief Life of the Duke of Buckingham by Lucy Hughes-Hallett (@4thEstateBooks). 🧵























