Calum Grace (@thysane) header
Calum Grace (@thysane) profile picture

Player, writer, designer, muck-abouter, lesser duke of hell. Games: https://xitter.gq/t.co/BiM27ql79H Brutalist cybertrash: https://xitter.gq/t.co/5gNg4OYgsf he/him

Ireland
Joined March 2009
Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)Photo by Calum Grace (@thysane)
v1.2 of A NOCTURNE, my hard sci-fi Forged in the Dark rpg about being horrifying space bastards, is out now over on my itch page! Includes an all-new craft type, the God-machine, plus new sexy artwork and suchlike. Nab it for just €15 you filthy animals thysane.itch.io/a-nocturne-p…
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shadows of forgotten ancestors (1965) / sergei parajanov
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Danger Diabolik (1968)
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Why don’t movies introduce characters like this anymore
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TOBY DAMMIT Federico Fellini, 1968
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The art of Peter Elson (1947-1998)
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Architecture Of The Night. General Electric booklet, 1930.
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French opera singer Lola Artôt de Padilla. Photographed in 1904.
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To me, one of the best lessons we could learn from David Lynch is to stop demanding explanations of every piece of art from the artist who made it and instead let the art talk and decide what it means individually to you. What a richer way to experience the world.
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The Invisibles. Art by Brian Bolland. #ComicArt
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LOGAN'S RUN (1976, Michael Anderson)
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David Lynch's "LOST HIGHWAY" (1997)
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Killashandra, by Anne McCaffrey. Del Rey, 1986. Art by Michael Whelan.
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a yet further reminder that all my posting action mostly happens over there now and this place is mostly turning into a kind of retweet-fueled aesthetic-tumblr-like-object, while it lasts
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every time I make the mistake of opening this app
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The Apartment (1960) dir. Billy Wilder
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LA CHIMERA (2023) dir. alice rohrwacher
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Walter Velez cover art for "The Dream Master" by Roger Zelazny, 1981
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Robert Eggers on doing creative work in a secular age:
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