#BookReview @LinchpinThe by Neeraj Ashok #PoliticalThriller which you should read ! bit.ly/2q0lSh9 #Fiction #Smallbooks

I saw Dhurandhar: The Revenge yesterday, and I’m certain it’s going to stay with me for at least a week. What a film. It sits at a fascinating intersection of an intelligent narrative and action so intense that even Salman Khan would seem restrained. At first, I found myself questioning it. If this is such a thoughtfully made film, why does Aditya Dhar lean so heavily into graphic, almost fantastical violence? But then it became clear. Those of us who grew up before the early 2000s did not just read about terrorism, we lived in its shadow. There was a constant, unsettling sense of vulnerability. Going to school, commuting to work, attending celebrations, none of it felt entirely safe. The fear was not abstract, it was always present, quietly eroding any sense of control. What Dhar captures so precisely is that feeling of violated autonomy. And importantly, the antagonists here are not faceless. We recognize names like Zahoor Mistry or Riyaz Bhatkal. That familiarity matters. Watching them stripped of power, of control, and ultimately of dignity, however brutal the portrayal, feels less like spectacle and more like emotional resolution. That is why the violence, uncomfortable as it is, feels necessary rather than excessive. The film also respects the audience’s intelligence. It does not over explain or spoon feed. Take the scene where Major Iqbal restrains Hamza with a chain, and Hamza still manages to escape. It feels excessive in the moment, almost implausible. But later, when Jassi trains for that exact scenario, the earlier disbelief is quietly resolved. The film is layered with such details, rewarding attention and patience. It ensures that this is not just another loud, surface level action film. What also stands out is restraint. Dhar avoids unnecessary embellishments. There are no forced romantic subplots, no token song and dance sequences. Even characters like Yalina are used sparingly, serving the narrative rather than distracting from it. In the end, Dhurandhar, both parts, delivers something many Indians have long felt but rarely seen portrayed with such clarity. Not just the story of revenge, but the experience of it. Not just reading about it, but witnessing it unfold. And perhaps that is why it lingers.

"There will be three types of emergencies in the next five years." "First, a cyber attack on financial or energy systems... Solution offered? Digital wallets, biometric [digital ID] and CBDCs." "The second wave: Environmental emergency or climate lockdown... Climate has already been framed as an existential crisis... 2025 to 2030 is the final stretch of the UN's Agenda 2030 targets. Pilot programs for 15-minute cities, personal carbon quotas and smart meters are already underway." "The third wave: Financial reset... People must be desperate enough due to inflation, debt and food scarcity... What would it look like? A debt crisis followed by debt jubilee programs for compliant citizens. Universal basic income linked to digital ID and vaccine or health behaviour."

@ThaneCityPolice request your help with the traffic around Patlipada and Brahmand chowks. @TMCaTweetAway would you be able to complete the service road work outside St Xavier’s before 2029 elections?? @CMOMaharashtra @Dev_Fadnavis @mid_day @QueenofThane @nareshmhaske