Pinned Tweet
the latest show I worked on, The Veil, is all out on Hulu and Disney+. If you like international spy dramas and morally grey female leads, this one's for you!
I'm so grateful to have been on this for cover and more through late 2023, in such a weird time to work in film+tv
Elizabeth Moss stars in FX’s ‘The Veil,’ which explores the fraught relationship between two women who play a deadly game of truth and lies on the road from Istanbul to Paris and London.
‘The Veil’ premieres on April 30 on Hulu.
(WATCH) trailer: deadline.com/2024/03/spy-thr…
Ellie retweeted
Cannot say 'Fuck Off' enough.
The BBC would broadcast shows made or presented by AI??? When the creative sector is in full blown crisis???
Just to reiterate - fuck fuck fuck fuck fuck fuck FUCK OFF.
#BBCLauraK: “Would you allow a programme to be made and presented by AI?”
BBC Director General Matt Brittin: “I would do, within guardrails”
bbc.co.uk/news/articles/c6gr…
London post production people! Join us on tuesday 15th at The Marquis of Granby for our monthly meetup. Everyone is welcome :) facebook.com/share/1EhpnUHid…
Ellie retweeted
This movie makes me yearn for the age of DVD behind the scenes extras
This quoted post is unavailable.
Ellie retweeted
DUH
'The Odyssey' Proves It: Audiences Want Movies Made the Hard Way hollywoodreporter.com/movies…
Ellie retweeted
wait this frying me guys it isn’t just for the anniversary they’re making this the official art for the movie everywhere and Ryan approved it 😭😭😭 so glad he can finally sleep at night
Ellie retweeted
Christopher Nolan on AI:
“I’ve never seen a more rapid wholesale dismissal of a supposedly foundational jump in technology in my lifetime. So much energy has been expended on bringing in AI, but if you look at that generation’s reaction, they’re utterly rejecting it. [My children’s] judgment of AI slop has been immediate and harsh. They see it for what it is very quickly – and it’s much easier for them to identify it, because it grew out of an online world they know really well. And while that doesn’t mean that every aspect of the technology is useless or meaningless, in film-making it’s hitting at exactly the wrong time. After years of driving towards heavily virtual environments, we’re seeing a renewed interest in more tactile, more real forms of storytelling.”
🔗 telegraph.co.uk/films/2026/0…
Ellie retweeted
The iconic transition to Technicolor in THE WIZARD OF OZ (1939) was done entirely in-camera. The farmhouse interior was painted sepia, and Judy Garland’s stand-in wore sepia makeup and clothing so the moment Dorothy opened the door felt seamless.
Ellie retweeted
this is actually such a kind and positive way to react to someone with limited film knowledge… mr damon i shall try to learn from you
Matt Damon reacts to Tom Holland saying that he has never watched ‘THE MATRIX’:
“Are you fucking kidding me? I’m so jealous you get to see that for the first time. I wonder if it’ll feel as groundbreaking to you as so much has been subsequently based on it.”
(Source: @Complex)
Hey London post production people!
We’re trying something different, and taking the meetup out of the pub and into the alley. Meet us at Rowans Tenpin Bowl for bowling on Tues 21st July
We have a group discount, £9.70 per game, arrive before 7:30pm to secure your spot.
event⬇️
Here is the facebook event - please RSVP so we know approximate numbers!
fb.me/e/4yOy7IbCs
this is the fundraiser for a fellow screen professional who stood for a free Palestine + has been denied his rights - Will spent 500+ days on remand, way exceeding the 6month statutory pre-trial detention limit. please take a look + share in your networks launchgood.com/v4/campaign/s…
Ellie retweeted
🇲🇽🇮🇹 | Un grupo de mexicanos agarraron a un periodista italiano que estaba transmitiendo en vivo y lo lanzaron por los aires.
Al final les pidió que dijeran algo en italiano y uno respondió: 'Spaghetti a la boloñesa'😭
I graded the crowdfunding video for this short film campaign - please take a look and maybe drop some money so they can realise Long Distance greenlit.com/project/long-di…
it's like when we had a noise complaint about a viewing of an episode of tv, in soho (happened in 2022 on a production I was on. it was around 3pm)



























