Gecelerin yargıcı

Gülizar ikisinin de çocukluğunu yaşamadığını bildiği için ergenlik yaşatıyo özellikle alyaya🙏🙏 🙏benim analiz

This scene is such a perfect example of two people who simply don’t know how to communicate… Of course, we can’t expect healthy communication between two people who still have so much unresolved history between them. But you’d think they could at least be a little better at finding the right words, at knowing how to begin… They’re both being eaten alive by everything they’re holding inside. We can see it. Alya has always been like this. She could never keep her feelings to herself; she always had to voice them. But whenever she did, she used her words as weapons. Cihan, on the other hand, is a man who has no words. He only knows how to speak through his actions. And when you put these two people together, with all their unresolved issues constantly running in the background, it becomes almost impossible for either of them to express what they truly mean or understand what the other is actually saying. And that’s exactly what happens. Because Alya can’t say, “You’re sacrificing yourself again. You’re letting the weight of your obligations crush you all over again,” she resorts to sharp, hurtful words instead. And because Cihan can’t say, “I’m lost without you. Take my hand, don’t let go of me. Help me back up from where I’ve fallen,” he shuts everything down with, “You were always good at leaving. I thought you’d be the one to break this cycle. No more love, no more loss.” They’re both saying something entirely different from what they actually mean, and hearing something entirely different from what the other is trying to say. And perhaps that’s the most heartbreaking part of it all: At the very moment they need each other the most, they become the people who hurt each other the deepest. For them to find a way out of this, they first need to stop fighting each other. Because the truth is, neither of them is really fighting the other. They’re both fighting their own fears. But they keep directing all the anger, hurt, and helplessness those fears create at each other. Because the way forward for this relationship isn’t about one of them saving the other. It’s about both of them learning to be vulnerable enough to reach for each other’s hand. #UzakŞehir #CihAl

KORKUTMA BENİ HANIMAĞA

İşte bu soy mevzusunun #Cihal’e uzantısı buradan olacak. O topraklar olmadan da, Birbirlerinin kalbine kök salarak ayakta durulabileceğini gösterecekler… İnsan gücünü, Topraktan,soydan değil Yürekten sevmekten,sevilmekten aldığını gösterecekler… #UzakŞehir

I’ve struggled relating to Alya mainly because she has been stripped of her emotional intelligence, turning a brilliant heroine into what sometimes appears to be a bitter, hypocritical caricature. Frustratingly, even when Cihan makes deeply hurtful mistakes, his version is told in a way that makes his trajectory understandable. It’s very odd.

bir derdiniz vardır diye öylesine site yaptım alın takılın icinidok.com

yarına yarın bakarız dünün amına koyim bugünü de sikeyim

tatlı su paşacıları türemiş bir sürü bu adam sitede idam edilirken neredeydiniz ablalar siz yoktunuz biz vardık ha

B ”senin kadının olmak istiyorum” dediği an, konağın ve cihanın kadını konağa giriş yapıyor 😙

🤎

Bölüm sonuyla fragman arasındaki o on dakikada yaşananlar jdjddj unutulmayacak