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A young girl switched on her phone flashlight while visiting a dimly lit museum in #Hangzhou, Zhejiang province. As the small beam swept across the sculptures on the wall, the shifting shadows created a stunning illusion — the Red Army soldiers seemed to take real steps and march forward into the light. #LongMarchNewJourney
And another. Have I reached 3K posts yet? Let me check… I recall seeing somewhere a while ago that I was at 2997 - but the pull down just shows 2.9K so, there must be somewhere to get a specific number.
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In a…fucking what?
In a strategic retreat, the United Nations concedes that Earth has lost its chance to prevent some of the worst impacts of global warming.
abcnews.link/El9Nira
The Cure
Judas Priest
Rush
50 Cent
Skinny Puppy
Front Line Assembly
Haujobb
Buck 65
Beatnigs
Furnaceface
This quoted post is unavailable.
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My favorite alternate-reality radio experience since it began. Since it only happens once a year, you can’t become accustomed to it. Close your eyes and be washed over by the sonic reality of an isolated bog on Saturna Island!
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🇯🇵 A brainless blob reproduced the Tokyo rail network in 26 hours. It was not trying to solve a transport problem. It was trying to eat oat flakes.
Physarum polycephalum is, to be generous, a blob. Pale, damp, the size of a thumbnail, it has no brain, no nervous system, and no cells that could reasonably be accused of thinking. Scientists had studied it for years without feeling particularly threatened by it.
Then someone put it in a maze.
Within hours, Physarum had found the shortest route between entrance and exit. Not by wandering randomly. Not by luck. By something that had no name, because everyone had assumed it required a brain. This was interesting enough. What happened next was embarrassing.
In 2010, a researcher named Toshiyuki Nakagaki and his team placed a piece of slime mold at the centre of a damp map of greater Tokyo. Around it, at the locations of 36 surrounding cities, they put small piles of oat flakes. Then they left the room.
The organism did what it always does. It explored. Thin tendrils pushed outward in every direction, feeling for food. When a tendril found an oat flake, that connection strengthened. When a path led nowhere useful, it was quietly dismantled. The slime mold was not planning. It was simply following local chemistry, the same way it had been doing for 500 million years.
After 26 hours, the exploration was over. What remained was a sparse, elegant network of tubes connecting all 36 cities to each other. Not a tangle. Not a web covering everything. A clean, efficient system with strong main corridors between the busiest points and lighter connections branching where they were needed.
The team held it up next to the actual Tokyo rail map. The corridors matched. The branch lines matched. Even the redundant connections, the backup routes engineers had added so the system could survive a single failure, appeared in nearly the same places. The slime mold had not just found the cities. It had independently arrived at the same logic that Japanese railway engineers had spent decades refining. By some measures, its network was more robust than the one humans had built.
There is no headquarters inside Physarum, no moment where anyone decides anything. The intelligence, if that is even the right word, lives entirely in one simple rule repeated across millions of connections: strengthen what works, abandon what doesn’t. That rule, applied blindly and without awareness, produces something that looks unnervingly like wisdom.
The slime mold was not trying to redesign the Tokyo rail network. It was trying to eat breakfast. It just turns out that the most efficient way to eat breakfast, when your breakfast is scattered across a map of greater Tokyo, looks a great deal like good urban planning 😅
Gandalv / @Microinteracti1
🤖 Made with AI
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If Westerners Could Wrap Their Minds Around What War Really Is
caitlinjohnst.one/p/if-weste…
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substance doesnt come from art itself. It is a product of the memory, conversation and language that accumulate when works are lived with for extended time in societies. By technologically destroying this time, we destroy the possibility of new art. It is not the works fault
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There's this north Vietnamese Communist DJ that spends all day on tiktok hosting an imaginary rave and he puts everything into it, he's got different voices and different little skits and stories and most of all he's got the beats
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This is exactly how Lars von Trier wanted you to watch Dancer in the Dark—with SpongeBob popping up during the hanging scene telling you he's on next.
Just what kind of TV channel was this?
New Year’s Eve post of some 2025
documentation related to RLG art stuff. Year of series’. I’ve got a website linked in bio - more there - though this year’s update, while prepared, is postponed for the completion of the 7th Watercurtain series painting to round out the update.


























