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‘In quoting others, we cite ourselves.’ - Julio Cortázar

Nice | Capetown | Amsterdam
Joined February 2011
Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)Photo by Ina de Bree (@InadeBree)
Ina de Bree retweeted
‘The only sea I saw was the seesaw sea With you riding on it. Lie down, lie easy. Let me shipwreck in your thighs.’ Dylan Thomas Under Milk Wood, 1953 (published posthumously in 1954) Gerhard Richter - Korsika Schiffer, 1968
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Ina de Bree retweeted
‘But I was in search of love in those days. At last, I should find that low door in the wall (..) which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.’ Evelyn Waugh - Brideshead Revisited, 1945 Brideshead Revisited - film, 1981
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Ina de Bree retweeted
‘And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.’ Dylan Thomas
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Ina de Bree retweeted
Οctober on the island 🤍
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‘The fortnight in Venice passed quickly and sweetly - perhaps too sweetly. I was drowning in honey, stingless …’ Evelyn Waugh, Brideshead Revisited, 1945 Gerhard Richter, Venice Staircase, 1985
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Ina de Bree retweeted
‘You can’t ever tell what’s going to hurt.’ Evelyn Waugh, A Handful of Dust, 1934 📷 Audrey Hepburn by Dennis Stock, New York 1954
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Ina de Bree retweeted
‘Sometimes’, said Julia, ‘I feel the past and the future pressing so hard on either side that there’s no room for the present at all.’ Evelyn Waugh, Brideshead Revisited, 1945 Martin Parr, Liverpool 1983
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Ina de Bree retweeted
‘Sometimes, I feel the past and the future pressing so hard on either side that there’s no room for the present at all.’ Evelyn Waugh, Brideshead Revised, 1945 📷 Rurik Dmitrienko, Paris, Jardin des Tuileries, 2006
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Ina de Bree retweeted
‘…perhaps all our loves are merely hints and symbols;’ - Evelyn Waugh, Brideshead Revisited, 1945 | Helene Schjerfbeck
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‘I should like to bury something precious in every place where I have been happy and then, when I’m old and ugly and miserable, I could come back and dig it up and remember.’ - Evelyn Waugh, Brideshead Revisited, 1945
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‘To know and love one other human being is the root of all wisdom.’ Evelyn Waugh, Brideshead Revisited, 1945 Monica Merlo
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‘We possess nothing certainly except the past.’ Evelyn Waugh, Brideshead Revisited, 1945 Henri Cartier-Bresson
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‘But I was in search of love in those days. At last, I should find that low door in the wall (..) which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city’ Evelyn Waugh Monet in his garden in Giverny
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Ina de Bree retweeted
‘O God, make me good, but not yet.’ Evelyn Waugh, Brideshead Revisited, 1945 © Roberto de Mitri
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‘I felt that I was leaving part of myself behind, and that wherever I went afterwards I should feel the lack of it, and search for it hopelessly, as ghosts are said to do, ...’ - Evelyn Waugh Brideshead Revisited, 1945| Ph. @ReinfriedMarass
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Ina de Bree retweeted
Venezia Dicembre 2024 La Salute 📷venezia_56
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Venezia Un taglio di luce A Italo Zannier, per ciò che è stato 🌟
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have a wonderful day! 😀 bonne journée! 🌹 #ThursdayMotivation #jeudi #Donnerstag #FelizJueves #roses
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Gustav Klimt's Portrait of Adele Bloch-Bauer I (completed between 1903 and 1907) is located at the Neue Galerie New York in New York City, United States. #art #arts #finearts
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Ina de Bree retweeted
Amo ciò che di tenace ancora sopravvive nei miei occhi, nelle mie camere abbandonate dove abita la luna, e ragni di mia proprietà, e distruzioni che mi sono care, adoro il mio essere perduto, la mia sostanza imperfetta. Pablo Neruda🖋️ © Michael Kenna
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