Church websites. 95% are frankly not good enough.
A local audit I conducted this morning looking for confessions:
Parish 1: has a new page but not linked to old domain, so when you search the parish it brings up an old website and you can only get the new URL from the newsletter.
Parish 2: has been “under construction” for the last month and so has a temporary website which gives an error message when you try to download the newsletter.
Parish 3: Better website but lists the Bishops’ message for people to return to church after COVID as it’s top news item…
Parish 4: functioning website but no mention of confession time at all even in their newsletter.
Parish 5: up to date, mass times well signposted with online version of newsletter, but website looks terrible and can’t find confession times.
That’s just a selection locally and I’m sure it’s a similar picture in most areas.
Most people looking for information about their local Catholic Church will look online first.
We are neglecting one of the biggest tools we have in our missionary arsenal.
You can create a website entirely in Claude now - you don’t need to pay astronomical amounts to a web agency, or even have much skill.
What’s the issue here - is it a lack of knowledge of clergy? Lack of willing volunteers? Or a lack of caring?
Liam Stokes retweeted
You've just ordered Pizza Hut and a 2L Mountain Dew.
You've loaded up Ocarina of Time.
No school tomorrow.
Your parents don't care if you stay up all night long.
A perfect fall night.
You are 36 years old.
The year is 2026.
Liam Stokes retweeted
I’ll never have a second team but if I did it would be Bayern Munich after playing ‘Land of Hope and Glory’ on German soil to salute Harry Kane. Lots of stadiums in England wouldn’t play it for risk of offending someone…so hats off to Bayern! 🫡 🇩🇪 🏴 🤝
Liam Stokes retweeted
Beauty is not in the eye of the beholder, that's relativist garbage. These covers by Vance Covax are objectively beautiful. That's not my opinion. I don't make the rules.
Liam Stokes retweeted
A French woman says that the rioters and looters broke into her building and threatened her with rape while she was holding her child in her arms.
“That’s collateral damage” responds the feminist activist Bettina Zourli who holds a Master’s in gender studies and focuses her work on gender norms, motherhood, reproductive rights, and voluntary childlessness (“childfree”)
She describes herself as “feminist, childfree and Antifa”
Zourli also says that all the stores getting looted also constitute a case of collateral damage and that the revolution, which she supports, must be violent.
She has lectured in gender studies, including at the University of Lille and Université Rennes.
Liam Stokes retweeted
The Lion, the Witch and the Wardrobe: Loose retelling of the Passion narrative and Hans Christian Anderson’s “The Snow Queen,” plus a bit of Le Morte d’Arthur
Prince Caspian: A riff on Hamlet, with a dose of Norse myth and medieval romance
The Voyage of the Dawn Treader: The Odyssey and the imrams (medieval Irish tales about journeys across the sea in pursuit of wonders)
The Horse and His Boy: a loving homage to The Arabian Nights
The Silver Chair: a medieval quest narrative with nods to Sir Gawain & the Green Knight, The Faerie Queene and Tam Lin
The Magician’s Nephew: Paradise Lost meets Edith Nesbit
The Last Battle: Edmund Spenser (Mother Hubberd’s Tale) and The Book of Revelation
the chronicles of narnia don't get enough credit for being so different from each other. No two of them are written in the same genre.
LWW: "conventional" hero's journey fantasy
Prince Caspian: uncategorizable, no idea what he was going for here tbh
Voyage of the Dawn Treader: CS Lewis' The Odyssey
The Silver Chair: CS Lewis' Pilgrim's Progress
Horse and His Boy: CS Lewis' Arabian Nights
Magician's Nephew: multiverse scifi!
The Last Battle: apocalypse fantasy
very impressive, imo, to do this while returning you to a world and storytelling style that feels familiar from book to book
Liam Stokes retweeted
Pour ceux d’entre nous qui aiment la France, cette nuit a été tragique, surtout après l’effroyable vandalisme culturel survenu à Limoges. Les barbares ont gagné. Et le président Macron brille par son absence. Si l’establishment français, parfaitement inutile, continue sur cette lancée, il ne sera même pas nécessaire de procéder à un second tour lors de l’élection présidentielle du printemps prochain : Mme Le Pen obtiendra 50 % des voix dès le premier tour. Une tragédie est en train de se jouer.
Liam Stokes retweeted
Surround yourself with people who see a flying car and say, "Awesome!"
Not people who see a flying car and say, "It's not actually flying" or "I don't see the point."
This post is not about cars :)
Liam Stokes retweeted
Elon Musk flips a vehicle upside down and everyone claps and cheers. But when I do it, suddenly I'm "recklessly endangering children" and "unfit to be a school bus driver".
Liam Stokes retweeted
During the “golden age of illustration,” children were depicted with anatomic accuracy that was faithful to the stage of life they were in, and in poses that were natural and believable for a child. Jesse Wilcox Smith, Elsa Beskow and Mary Cassat are examples of artists who did such work and they were able to do so because they not only observed children closely, but also loved them.
However, modern illustrations of children feature joints that don’t articulate–elbows and knees don’t exist– and facial expressions that are emojis rather than anatomically correct changes that belie bone structure and fat distribution underneath.
As a circle with a triangle under it depicts a woman on a bathroom stall, so modern illustrators depict children with large heads, goofy bean mouthed expressions and noodle arms and legs. In essence, children are no longer depicted as human beings but rather emoticons of human beings.
And the reason for this is not merely due to changes in “artistic styles”, but rather the far more oily and avaricious greed of publishers, the sloth and incompetence of modern artists and most heinously, a modern disdain for children.
- An excerpt from my latest essay, soon to be published.
Liam Stokes retweeted
There was a semi-well known interview of the famed Argentine writer JL Borges where he explains this.
Borges: I have done most of my reading in English. I find English a far finer language than Spanish.
William F Buckley: Why?
Borges: Well, many reasons. Firstly, English is both a Germanic and a Latin language. Those two registers—for any idea you take, you have two words. Those words will not mean exactly the same. For example if I say “regal” that is not exactly the same thing as saying “kingly.” Or if I say “fraternal” that is not the same as saying “brotherly.” Or “dark” and “obscure.” Those words are different. It would make all the difference—speaking for example—the Holy Spirit, it would make all the difference in the world in a poem if I wrote about the Holy Spirit or I wrote the Holy Ghost, since “ghost” is a fine, dark Saxon word, but “spirit” is a light Latin word. Then there is another reason. The reason is that I think that, of all languages, English is the most physical of all languages.
WFB: The most what?
Borges: Physical. You can, for example, say “He loomed over.” You can’t very well say that in Spanish.
WFB: “Asomó?”*
Borges: Well, no, no, they’re not exactly the same. And then you have, in English, you can do almost anything with verbs and prepositions. For example, to “laugh off,” to “dream away.” Those things can’t be said in Spanish. To “live down” something, to “live up to” something—you can’t say those things in Spanish. They can’t be said. Or really in any Romance language.
Liam Stokes retweeted
Since Everton last won a trophy in 1995, every single club in the 92 club league system have either won a trophy, promotion, or a play off final. All have given their fans a winning moment. All except Everton
Liam Stokes retweeted
>"at least for now"
A horrifying phrase, which sums up pure malevolence of assisted dying. The value of human life is always conditional, always under question, always one accident away from becoming discardable. Who would want to live under this kind of unbearable moral regime?
Liam Stokes retweeted
“There was too much Vader in him.”
You mean the same Vader that at the climax Luke literally threw down his lightsaber before and refused to fight because he knew there was still good in his soul? That Vader?
Dumbest writing in history, and it’s not even close.
Liam Stokes retweeted
Horrendous statement from UK prime minister Andy Burnham on Manchester City’s Abu Dhabi ownership.
1) As PM he should remain entirely neutral.
2) ‘I can’t intervene *more*’ suggests he already has.
3) ‘The detail’ may demonstrate that losing them would be for the best.










































