
#HarryDaSouza 🇬🇧#TomHardy #ConradHarrigan 🥃#MaeveHarrigan 🍸#KevinHarrigan #BellaHarrigan 🍸#EddieHarrigan #GinaDaSouza #SeraphinaHarrigan #FRANKIECooper 🛴
The Cotswolds
Joined September 2021
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MOBLAND retweeted
In this quiet but loaded scene, Al Pacino’s Lefty Ruggiero takes Johnny Depp’s Donnie Brasco under his wing and begins teaching him the unspoken rules of the mafia world. What looks like casual conversation is actually a careful induction into a rigid code of respect, status, and survival.
Lefty starts with the language that separates the connected from the made. He carefully explains the difference between being introduced as “a friend of mine” (an associate) versus “a friend of ours” (a fully made man). In their world, those few words carry enormous weight, one grants limited access, the other demands real respect.
He then turns to the smaller details that reveal whether someone truly belongs. Lefty tells Donnie to stop carrying a wallet and start using a money roll instead. He also insists Donnie shave off his mustache. These aren’t fashion tips. They’re signals. Appearance and habits communicate rank and seriousness more clearly than words ever could.
As the conversation continues, Lefty drives home a deeper truth, once you’re in, the organization becomes your real family. Blood and personal history matter less than loyalty to the life. That idea sits at the center of everything Lefty is trying to pass on.
Later, the two men walk the neighborhood in the freezing cold so Donnie can be seen and introduced. Presence itself is part of the job. You show up, you make the connections, and you let people know who you stand with — even when the weather is brutal.
The scene closes with a quiet display of authority, the kind that doesn’t need raised voices to make its point. In just a few minutes, Lefty has given Donnie a masterclass in how this world actually works: the language, the image, the loyalty, and the constant performance of power.
A small scene that says everything about the life Donnie is pretending to live, and the man who’s teaching him how to survive it.
Helen Mirren plays Caesonia, the fourth wife of Emperor Caligula (played by Malcolm McDowell), in the 1979 historical drama film CALIGULA
#MOBLAND #MaeveHarrigan
“It has an irresistible mixture of art
and genitals in it”
Helen Mirren on CALIGULA
#MaeveHarrigan #MOBLAND
THE LONG GOOD FRIDAY ENDING
Starring Pierce Brosnan Helen Mirren
Bob Hoskins #ConradHarrigan #MaeveHarrigan #MOBLAND
Music by Francis Monkman 🏴
MOBLAND retweeted
Tom Hardy's "Rich and Moody" Gangster Drama is Streaming Now share.google/wpIObkZEViNEHiA…
MOBLAND retweeted
After Frankie captured her, Zosia didn’t go to Harry right away. She maybe only approached him only when Harry had already caught Frankie Cooper’s name. At that point Harry saw an opening. Instead of shutting it down, he let the locations reach Kat through...
MOBLAND retweeted
I don’t think Zosia leaked the Harrigans safe houses on her own. #MobLand
I think Harry used her to do it.
Here’s my theory:
MOBLAND retweeted
Maeve niveau saloperie c’est au dessus de gemma teller et pas loin de cercei en 2 saisons c’est fort la Harry lui fait comprendre qu’elle doit arrêter ses foutaises 😂😂😂 #mobland
Harry finally putting meave in her place
This scene was so satisfying 😌
She was so scared she waited till he was at least 2 feet away to run her mouth lmao
#MobLand
MOBLAND retweeted
What is Maeve’s end game man . I’m confused af #mobland
MOBLAND retweeted
Frankie Cooper. What's not to like? Bedtime stories, biscuits and some questionable dental advice. His funniest MobLand Season 2 moments.
Footage/dialogue: MobLand / Paramount+. AI opening voice: Lara. Edit: The Useful Bit.
#MobLand #FrankieCooper
🤖 Made with AI
MOBLAND retweeted
Trying to understand how Conrad and Mauve were running an empire for all these years , their decision making is absolutely awful !
#mobland
MOBLAND retweeted
i am obsessed with how turnt up #Mobland is this season. it’s so good. if you aren’t watching, YOU NEED TO! if the pilot doesn’t get you, idk what else will















