@vokabre when holding brushes, doing ⌘+s the world in ink&watercolour strictly against "generative ai" https://xitter.gq/t.co/1suPilJtcf https://xitter.gq/t.co/eXuGxaidQv https://xitter.gq/t.co/Rw2PQbxQ55
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ALT Vertical painting, in watercolour with ink lines of a couple of travellers sleeping on a train, on the right is a man in a black vest, white t-shirt, dark blueish hair, with his hand on the suitcase, and another behind a woman in center-left. The woman with red hair covering her eyes has her head towards the left, and holds onto her suitcase with her left hand. Behind them is the outside viewed from the train, a bridge, some trees, and building roofs.
ALT On the left is the painting described before. On the right, above the address and postcode area superimposed is the scan of the front of the postcard, a symbolic representation of Mt. Fuji in white, with blue shadows, and the sky above in gold with red sun. To the left of it is a cancellation stamp of Tsu Central Post Office, with a statue of Tōdō Takatora, the site of Tsu Castle, and Phoenix Street. Above is a 110 yen stamp with a woman in Japanese dress.
ALT Square painting of a scene on Ise-Wakamatsu train station, a high school couple in winter sports uniform hugging each other, with the long shadow of them stretching on the platform and onto a white train with red and yellow lines. Another person waits from the train in the distance. In the train the window is open and someone is sitting with a bottle of ice coffee.
ALT The whole scan of the postcard, with the painting described before on the left. Above the address area superimposed is the front of the postcard. It is a "milky way post" graphics, with a rabbit in different space scenes, the moon, outer space, Saturn, Jupiter, space scooter; and an octopus postman on Mars. Above it is a cancellation stamp of Tsu Central Post Office, with a statue of Tōdō Takatora, the site of Tsu Castle, and Phoenix Street. Above is a 110 yen stamp with two women in Japanese clothes cooking near wooden buckets.
ALT Square painting of a scene inside a mall, an elderly Japanese man with a shopping cart watching a large television which is in the middle-top of the painting. On the left there's another woman walking by, and a stall of an office with another woman worker. On the television there's a live NHK broadcast of the hostages return from Gaza, with a crowd standing near a road, a Red Cross vehicle in the middle, and a militant standing near the car and the crowd with a gun raised.
ALT Above the address area superimposed is the front of the postcard — a photo of Port of Humanity Tsuruga Museum built in faux late 18th century mixed with eclectic style, with bright lasur glass windows. On the center right is a 110 yen stamp with a woodblock illustration of two women in traditional Japanese clothes working over wooden buckets. Underneath it, peaking, is the stamp area printed on the postcard, depicting an apple. Above the stamp is the cancellation stamp of Tsu Central Post Office which features a statue of Tōdō Takatora, the site of Tsu Castle, and Phoenix Street.
ALT Painting in watercolour with ink lines, on the right is a humanoid robot CiYa looking towards the observer, wearing a long black Japanese dress with a red skirt, having dark reddish hair, a flower on her hair, and two chobits-like ears with cameras. To the left are two people, the developer in the distance, and the visitor in the front, both are looking at the lifting mechanism in the legs.
ALT The whole back of the postcard, turned 180 degrees from the normal postcard orientation. The painting described before is on the right. On the bottom left is a 110 yen stamp with a woman and a kid in Japanese clothes. Above is a cancellation stamp which features a statue of Tōdō Takatora, the site of Tsu Castle, and Phoenix Street. Above, superimposed over the address area is the front of the postcard, a photo of an automaton in a shape of a girl playing a mandolin.
ALT Painting, vertical, leaning to square, in watercolour with ink lines, of a window of a postal service counter at Tokyo International Post Office. Inside are two postal workers, their backs to the observer. Behind them is the office space. To the right of the window are different announcements — "security camera in operation", different notices, a banner with an enlarged image of a one yen stamp with a bear serving as a mascot of Japan Post.
ALT Scan of the whole back of the postcard. The painting described before is on the left. Over the address area superimposed is the front of the postcard with symbolic representation of different objects related to the post — a girl sitting on a desk writing a letter, envelopes, letters, a post office, a post office van. Above are two paired postal stamps, Nippon 110 with a copy of a woodblock drawing of women over buckets and a kettle. On top of it is a special postmark saying Tokyo INT with a logo of Universal Postal Union to the right, and a symbolic representation of Mount Fuji to the center top, a flower and a leaf to the left. The postmark is Reiwa year 8, May 2.
ALT Painting in watercolour and ink lines, vertical. This scene shows a view from Azuma Bridge (吾妻橋) in Tokyo, with Tokyo Skytree in the distance, and a stranger who stopped her bicycle to photograph the view. On the left is the person holding a smartphone, with dark long hair, the bicycle is on the right. Stones of the bridge are in the middle. In the distance is the embankment, and expressway above, and Tokyo Skytree is on the right. A residential building is to the left, and a famous building with large golden blob is further to the left. The clouds are fluffy with white tops and blueish shadows.
ALT Scan of the whole back of the postcard, the painting described before is on the left. On the right, superimposed above the address is the front of the postcard, a reprint of Utagawa Hiroshige's "Suidobashi and Surugadai" from the "One Hundred Scenic Spots of Edo" series depicting a large koi fish kite on a stick and Fuji in the distance. Above is a 110 yen stamp with a person in Japanese clothes.
ALT Vertical painting in watercolour with ink lines. On the left stands in full height Leopold, an anthropomorphic wolf character. He wears trousers with suspenders and dark loafer shoes, and a blue shirt on top. He has long sleeved dark gloves. On the right is also Leopold, now kneeling on the ground, holding a paw of a dog (peeking from the right of the corner of the painting). This time he wears a 18-century style jacket with lots of buttons, also blue, and has white trousers. Behind are paintings of different Trianon characters.
ALT Scan of the whole back of the postcard, the painting described before is on the left. On the right is a 110 yen stamp, a copy of a woodblock print with two women over buckets. Underneath the stamp is the postmark, depicting "Edo papier-mâché dogs," the "signboard at the entrance to the Yanaka Ginza shopping street," and "daimyo clocks.". Behind, over the address area superimposed a part of the front of the postcard, the towers of Shinjuku over the white outline of Mt. Fuji.
ALT Vertical, leaning to square, painting, in ink and watercolour. On the right stands tall cartoony fox character in blue-white long dress, holding a mop. A woman leans towards her, photographing her on the phone.
