RockChuck (@RealRockChuck) profile picture

Societal observations using my sarcasm super powers.

Oregon, USA
Joined October 2018
Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)Photo by RockChuck (@RealRockChuck)
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42 years ago tonight, a boy named Daniel Larusso was brutally attacked by a gang of masked thugs. Two months and one illegal crane kick later, young Daniel would exact his revenge with the help of a maintenance man from Okinawa. Please remember the true meaning of Halloween.
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Replying to @redbaronpizza
"In this house we eat Red Baron Pizza"
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Red Baron has been gifted the marketing opportunity of a lifetime. Make this man the face of your next marketing campaign. Give him points on the backend and retire him. Triple your revenue for the year. Win, win, win for everyone. @redbaronpizza
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Me if I accidentally run over a "free Palestine" protestor
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LOL! If this isn't Portland in a nutshell. The last 3 seconds are amazing.
This is the most amazing video you will watch today. Enjoy 😘
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You can't trust anything anymore.
Guy shows how nothing is real now on social media.
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RockChuck retweeted
I understand why the genre might not be someone’s cup of tea. I don’t particularly gravitate to it myself, usually. But it’s okay for Christians to tell and enjoy stories that are tense, suspenseful, even scary. There’s nothing inherently sinful about any of those feelings. And the categorical insistence on avoiding those feelings is precisely why almost all “faith based” entertainment is terrible. I would argue that bland, bad, boring “Christian entertainment” — which is almost all of it, truly — is a far greater cultural problem for Christians than any horror movie ever could be. Christians used to be the great storytellers of western civilization. That was back when they told difficult, complicated, sometimes bleak and violent stories. Not anymore. Now the stories are all very nice and pleasant, but they also suck and nobody with any taste can stand to watch them.
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RockChuck retweeted
It’s one of the worst things to happen to Christianity, culturally speaking, in modern times. And despite reports to the contrary, it really hasn’t gotten any better. Most “faith based” entertainment is bland and flavorless and, worst of all, a display of artistic cowardice. It refuses to take any chances or do anything that might be even remotely upsetting to the audience or even vaguely ambiguous about the message it’s trying to send. The result is an endless catalogue of “Christian” films and shows that are lifeless, pointless, and boring to an almost infuriating degree. What makes this so tragic is that it wasn’t always this way. Christian artists in all mediums for centuries created brilliant, beautiful, inspiring, timeless, sometimes difficult and complicated works of art. But the modern day Dostoevsky or Flannery O Connor or even Michelangelo, if such a person exists, would never get a film made by a Christian studio because their stories would be too upsetting to the middle aged Christian female audience that all of these companies exclusively cater to.
Who decided that "Christian" entertainment had to be safe, grandmother approved, Hallmark channel slop? The stories from the bible are raw, dangerous and violent. Mel Gibson is the only filmmaker with any huevos rancheros.
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“Sorry folks the Louvre is closed. Terrorist out front shoulda told you.”
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RockChuck retweeted
Some people would say this is a better feature than flying 😂
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Tell me the Oregon school shooter doesn't look like Richard Ramirez (Night Stalker serial killer). Shot a 7 yr old wheelchair-bound kid in the face. Are you f'n kidding me. Murdering piece of sh*t
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A retired NASA engineer who had worked on the Space Shuttle program for 25 years was hired by SpaceX at age 62. He described the first week as the most disorienting experience of his professional life. At NASA, a design change required 3 meetings, 2 committees, a review board, and 6 to 18 months of documentation. At SpaceX, his new supervisor said "if it works, build it. If it doesn't, change it by Friday." He sat at his desk after the first day and called his wife. He told her he felt like a man who had been swimming with ankle weights for 25 years and someone just cut them off. He could move. He could decide. He could build something in the morning and test it in the afternoon. The constraint that he had accepted as the nature of aerospace engineering turned out to be the nature of bureaucracy. Within 6 months he had contributed to more design iterations than he had completed in his last 5 years at NASA. Not because he was working harder. Because the time between having an idea and testing the idea collapsed from months to hours. The same brain. The same knowledge. A different operating system. He described a specific moment where he proposed a modification to a Raptor engine component. At NASA, the proposal would have entered a queue. At SpaceX, the modification was machined by the end of the day and tested by the following morning. He watched his idea become a physical object in 18 hours. At NASA, 18 hours would not have been enough to schedule the first meeting to discuss whether to schedule a meeting. He told an interviewer: "I didn't get smarter when I went to SpaceX. I got faster. The intelligence was always there. The system was in the way." The difference between SpaceX and NASA is not talent. NASA has extraordinary talent. The difference is the time between a thought and a test. SpaceX compresses it. NASA elongates it. The same engineer produces 10x more at SpaceX than at NASA because the bottleneck was never the engineer. It was the meetings about the meetings about the work.
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Happy Columbus Day!
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RockChuck retweeted
Replying to @rawsalerts
Wait until it cures cancer and see what happens to the scientific community and all that federal money they've been getting
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Portland is becoming a cautionary tale of what happens when local government abandons the basic responsibilities of governing and instead becomes a platform for ideological activism and national political theater. City government should be focused on the fundamentals: fixing potholes, maintaining streets and parks, delivering permits on time, balancing the budget, protecting taxpayers, and ensuring public safety. Yet in Portland, those core responsibilities increasingly compete with ideological agendas that have little to do with whether the city actually functions. Our new three-seat ranked-choice system only compounds the problem. Candidates can prevail without earning anything close to broad majority support, allowing highly motivated ideological factions to wield disproportionate influence while moderate voters disengage, leave, or simply stop believing their participation matters. Then layer in taxpayer-funded advocacy nonprofits, public-sector unions, consultants, and the permanent political ecosystem that benefits from ever-larger government—and you get exactly what Portland has: a system increasingly accountable to activists and institutions rather than the broader public that pays for it. The result is not compassionate governance. It is expensive dysfunction. Good local government isn't supposed to be revolutionary. It's supposed to work. Fill the potholes. Process the permits. Keep the parks clean. Balance the budget. Protect public safety. Deliver competent services for the taxes people already pay. That may sound boring to ideological activists. But boring, competent, accountable government is exactly what Portland desperately needs right now. @MayorKWilson @GovTinaKotek
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