Emily Carrington Freeman (@_ECFreeman) header
Emily Carrington Freeman (@_ECFreeman) profile picture

Artist and researcher | @UniOfOxford | John Ruskin, colour, materiality, perception and experience | C19-now | Specialising in wearing long coats

Oxford
Joined November 2020
Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)
There's nothing I need more urgently than this.
love books? love gowns? you need… a BOOKGOWN
2
Come and join us! 🎺 Email cowhistoryofart [at] gmail [dot] com. All welcome!
You’re unable to view this Post because this account owner limits who can view their Posts. Learn more
2
5
1,523
📣THIS FRIDAY📣Join @cjfaraday and myself for the next meeting of The Craft of Writing Art History. We're reading Baxandall's 'Chriomancy and the Grand Form', promising scintillating prose and sparkling ideas to discuss. EMAIL cowhistoryofart [at] gmail [dot] com for details 🖼
1
2
666
On 2nd March, Companion Sarah Quill is giving a lecture (zoomed live) for FoRS, the new Centre for Ruskin Studies at @CaFoscari titled "As it was, where it was..." The fall and rise of the Campanile of San Marco. Details here: unive.it/pag/46300
2
9
1,235
Emily Carrington Freeman retweeted
Chromotope team members @RibeyrolCharlo1 @MaddieHewitson, Matthew Winterbottom (@AshmoleanMuseum) & Stefano Evangelista (@TrinityOxford) are taking part in a TERRA workshop on Materiality and the Senses Fri 3 March. Advanced booking required. Email [email protected] to sign up
4
9
1,306
🎊IN ONE WEEK!🎊 Please join the brilliant @cjfaraday and my good self for our second Craft of Writing Art History next Friday 24th February to talk about Rosalind Krauss' text 'Grids'. We'll be meeting in Central London - email cowarthistory [at] gmail [dot] com for details.
1
2
1
8
1,594
🔔TOMORROW - I'm back with @cjfaraday for our first Spring Craft of Writing Art History! 🔔 If you can't make it, we'd love to see you next time. Email cowhistoryofart [at] gmail [dot] com for details, and to join our mailing list ✍️
5
1
3
891
Emily Carrington Freeman retweeted
From William Butt's dye book, 1768-1785. bit.ly/36y5j32 Manuscript volume containing dozens of detailed recipes for cloth dye, accompanied by small fabric swatches dyed in the intended colors.
9
187
18
1,040
114,380
Here's our programme for this term!
11
16
2,395
Emily Carrington Freeman retweeted
Announcing the University of Oxford Slade Lectures for 2023. Details to follow. #oxfordsladelectures #oxfordarthist
10
23
WE ARE BACK! The Craft of Writing Art History re-starts end of Jan! 🐄🖼 Join me and the fab @cjfaraday in central London - this term we'll be reading a range of art writing from Malcolm, Krauss, Baxandall, and Warner. For full details email: cowhistoryofart [at] gmail [dot] com
4
319
Emily Carrington Freeman retweeted
Love how hard-hitting John Ruskin's first book title was:
11
49
4
351
50,918
THIS FRIDAY! The second edition of The Craft of Writing Art History has come around so fast! Join me and the fab @cjfaraday in central London to discuss another fascinating text and meet other HoA enthusiasts. For full details email: cowhistoryofart [at] gmail [dot] com 📚🐄
3
5
We believe in 2nd chances! INCS 2023: Extension through 10/21 - mailchi.mp/c7cd32d13678/cfpi…
1
3
Emily Carrington Freeman retweeted
A tiny devil caught in a prism of glass. 17th century. By 1720 it was in the Treasury in Vienna and was described as a ‘spiritus familiaris that was driven out of one possessed and banned to this glass’. Now at the Kunsthistorisches Museum Collection, Vienna.⁣
106
1,420
968
9,784