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Artist and researcher | @UniOfOxford | John Ruskin, colour, materiality, perception and experience | C19-now | Specialising in wearing long coats

Oxford
Joined November 2020
Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)Photo by Emily Carrington Freeman (@_ECFreeman)
On 2nd March, Companion Sarah Quill is giving a lecture (zoomed live) for FoRS, the new Centre for Ruskin Studies at @CaFoscari titled "As it was, where it was..." The fall and rise of the Campanile of San Marco. Details here: unive.it/pag/46300
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Chromotope team members @RibeyrolCharlo1 @MaddieHewitson, Matthew Winterbottom (@AshmoleanMuseum) & Stefano Evangelista (@TrinityOxford) are taking part in a TERRA workshop on Materiality and the Senses Fri 3 March. Advanced booking required. Email [email protected] to sign up
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From William Butt's dye book, 1768-1785. bit.ly/36y5j32 Manuscript volume containing dozens of detailed recipes for cloth dye, accompanied by small fabric swatches dyed in the intended colors.
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Here's our programme for this term!
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Announcing the University of Oxford Slade Lectures for 2023. Details to follow. #oxfordsladelectures #oxfordarthist
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Love how hard-hitting John Ruskin's first book title was:
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We believe in 2nd chances! INCS 2023: Extension through 10/21 - mailchi.mp/c7cd32d13678/cfpi…
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A tiny devil caught in a prism of glass. 17th century. By 1720 it was in the Treasury in Vienna and was described as a ‘spiritus familiaris that was driven out of one possessed and banned to this glass’. Now at the Kunsthistorisches Museum Collection, Vienna.⁣
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The call for papers for this year's @forarthistory conference has gone live. Please consider submitting an abstract to 'Victorian Colour Revolution: the 19th c. chromatic turn' by 4 Nov. Details here: forarthistory.org.uk/wp-cont… Drop me a DM if you have any questions!
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The perfect book display doesn't exis-
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John Ruskin expressed admiration for art that reflected truth to nature. Hear about his ideas at our upcoming #PreRaphsOxford online & in-person talk with curator @CjePayne, Thu 4 Aug, 2-3pm. Book: ashmolean.org/event/john-rus… 🖼️ Afternoon in Spring, by Ruskin. WA. RS. ED. 298
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The museum object The exhibit label
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History of Art Research Seminar. Wed 8 June, 5pm, St John’s College. 'A Frame for Thomas Stothard's Voyage of the Sable Venus (1794)'. Professor Cora Gilroy-Ware. Open to all. #OxfordArtHist hoa.ox.ac.uk/event/history-a…
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Image & Object 2022 Symposium: "Purity". Advance booking essential (limited places). Wed 25 May, 5pm, Corpus Christi. @OxfordArtHist Further details here: hoa.web.ox.ac.uk/event/image…
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A rainbow on the muses of the Bodleian Libraries Clarendon Building this evening. Surely symbolic in some way 🙂
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🤍🦉🤍#OwlishMonday vibe...
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Nice vertebrae. Rare book spines @theUL.
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We are recruiting! Departmental Lecturer in the History of Art - 1 yr fixed term post from 1 Oct 2022. Deadline for applying: 12.00noon (GMT) Wed 1 June 2022. Job details here: my.corehr.com/pls/uoxrecruit…
Emily Carrington Freeman retweeted
We are now accepting bookings from prospective History of Art undergraduate students for our in-person Open Days taking place Wed 29 June & Fri 16 Sept 2022. Advance booking is required. Please view our website for details and how to book. @UniofOxford hoa.ox.ac.uk/open-days
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#ColourOfTheDay Canary  - Evan Sheehan - Olafur Eliasson - Kate Theo
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