Dad, Creative Director, musician, Rooster Teeth emeritus. Founder, Wild Construct. make stuff, love people, do good.

Austin, TX
Joined June 2008
Particles are supposed to be the fun part. Today we're revealing Entropy, a modern particle instrument for After Effects built for fast feedback, directable motion, and work you can keep changing. Public beta opens the week of August 24. Join us at wildconstruct.com and give us a follow @wildconstructco
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Brian Behm retweeted
Hey Orimar, if you only had one string on a guitar, what song would you play? Wait for it…
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Feel like some of the bits that I share feel very scattered just because there are so many projects going on in the background. Different tools develop at different speeds. This has been something more experimental I've been tinkering with that's a vinyl zoetrope emulator.
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This is Tallinn University’s folk dance group doing traditional dance set to rap, Future is joined by Estonian accordion player Ernst Valdmaa and it ... just gels. Reposting because my prior post video is all pixelchunk? The best tourism ads make you want to visit. A few years ago I was obsessed with Riga thanks to their travel ads. Now it looks like I will be obsessed with Estonia until I finally get to Visit Tallinn!
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Replying to @behmcreative
Through the major companies, yeah, but there are lots of little companies popping up that are offering way better prices
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The British army once sentenced Daniel Morgan to 500 lashes, a punishment that usually killed a man, for the crime of knocking out an officer who struck him. He survived every stroke. And he spent the rest of his life joking that the drummer had miscounted and only given him 499, so the British still owed him one. He collected that debt at a place called Cowpens. Morgan was not born to anything. He was a rough, barely educated frontiersman who made his living hauling freight by wagon on the Virginia frontier, a big, powerful, hot-tempered young man. During the French and Indian War, serving as a civilian teamster with the British army, a British lieutenant struck him with the flat of a sword. Morgan answered with his fist and dropped the officer cold. For a colonial to strike a British officer was close to a capital offense, and the court-martial sentenced him to five hundred lashes with the cat-o'-nine-tails, a flogging meant to flay a man and very often to kill him. They tied him up and laid it on, and Daniel Morgan did not die. He carried the ridged scars on his back for the rest of his life. But instead of breaking him, that brutal punishment forged something. It left him with a cold, permanent hatred of the British army and its contempt for colonial men like him, a hatred he would one day repay with interest. And it gave him his lifelong joke: the drummer lost count and stopped at 499, so the British, he liked to say, were still one lash short of paying him in full. When the Revolution came, that uneducated wagoner turned out to be a natural soldier of rare gifts. He raised a company of frontier riflemen, crack shots who could kill at distances that terrified British regulars, and he led them north to Saratoga, where his marksmen helped shatter Burgoyne's army and win the turning-point victory of the war. Morgan had a feel for battle that trained European officers lacked, an instinct for ground, for timing, and above all for the men he led. He understood that his militia were not professional soldiers and could not be asked to do what professionals did, so instead of cursing them for it, he built his tactics around what they could do. That genius reached its peak at the Battle of Cowpens in January 1781, one of the most perfectly fought battles in American history. Facing the dreaded Banastre Tarleton, Morgan set a trap built entirely on human nature. He put his unreliable militia in the front line and asked them only for two volleys, then permission to fall back, which they gladly did. Tarleton's British, seeing the Americans retreat, charged forward in a confident rush straight into Morgan's real line of hardened Continentals, and then Morgan sprang the jaws, hitting the British on both flanks at once in a double envelopment while his cavalry rode down their rear. In minutes Tarleton's command was destroyed, hundreds killed and captured, one of the most crushing and complete victories of the war, and Tarleton himself barely escaped. It was the frontier wagoner out-generaling the darlings of the British army. So the debt was paid. The boy they tried to flog to death grew up to be the man who methodically dismantled the British in the field, who understood soldiers because he had been treated like dirt as one, and who turned the hard lessons of his own back into some of the finest tactics the Revolution ever saw. Remember Daniel Morgan. The British gave him 499 lashes and made an enemy who never forgot, and he collected the last one at Cowpens, with interest.
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Some of the cloud work I've been tinkering on this week. Wgsl and rust in Dawn.
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Elon Musk's New Obsession Is Actually Crazy
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Brian Behm retweeted
So clever.
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Brian Behm retweeted
A printer printing onto paper.
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Brian Behm retweeted
A pair of scissors cutting a single hair.
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There's a certain joy in chopping more than half of your render cost. The closer you get to realtime the more fun the tool feels. The more I play with our next big product the more excited I get.
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Brian Behm retweeted
"What are you doing?" - "Oh just playing a Switch game."
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Some weekend try-off experiments for a project I've been working on. I was amused at what happened with the curling iron and curlers.
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When passion meets skill! The C64 is 44 years old, yet it still has one of the most dedicated and skilled user bases, even decades later. It never ceases to amaze me what they get out of that machine. Jack Tramiel would be smiling if he saw this.
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Brian Behm retweeted
incredible use of free will
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Brian Behm retweeted
Elon Musk flips a vehicle upside down and everyone claps and cheers. But when I do it, suddenly I'm "recklessly endangering children" and "unfit to be a school bus driver".
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Brian Behm retweeted
Od kiedy bawię się animacją, a stukną niedługo cztery dekady, czekałem na narzędzia, które pozwalają animować w sposób bardziej organiczny i kontekstowy. Cała tradycyjna nakładka techniczna na animację komputerową jest wręcz absurdalnie przekomplikowana. Działało to trochę jak bramka dostępu. „Patrzcie jakie to jest strasznie trudne, lepiej zostawcie to specjalistom, bo nikt inny nie pojmie głębi i złożoności tego magicznego procesu”. W sumie mało jest innych branż, które ze skomplikowania narzędzi zrobiły cnotę, jednocześnie czyniąc proces nieludzkim i nieintuicyjnym. Mi od początku tej zabawy marzyło się coś innego. Dynamikę sceny czy ruchu postaci trudno buduje się na abstrakcyjnych krzywych beziera, na wielokrotnie zagnieżdżonych hierarchicznych szkieletach, ale łatwo ją pokazać gestem, palcami, ciałem, czy choćby i zagwizdać. Wreszcie można. Ludzie są multimodalni więc fajnie, że maszyny w końcu też. Wreszcie zamiast „przesuń kontroler kącika ust 5 mm w górę, i zwiększ zmrużenie oczu, przesuń kontroler brwi w górę o 3mm” – będzie można powiedzieć „uśmiechnij się” . Czego sobie i nam życzę.
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A small change can make a big difference. Dialing up turbulence with this tracer emitter creates a completely different feel.
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RGBAの原理を知れば、雲模様のノイズから、炎のエフェクトを作り出す事も可能になります。 例えば。 RGBで色彩をコントロールするだけでなく、フォーカスもコントロールして、アニメのT光マスク風のエフェクト。 1995年にPhotoshopのRGBと遭遇した時。 「これで飯が喰える」と思ったものです。
RGBA初心者あるある。 今見ている中間色が、RGBによるものか、A〜半透明によるものか…を意識できておらず、闇雲にトーンカーブを上げ下げする事例。 トーンカーブを使いこなすには、RGBAの理解が不可欠。 原理を知れば、トーンカーブだけで、グラデを国旗に変える事も可能です。
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