Enrique Medina (@emv) header
Enrique Medina (@emv) profile picture

Internet Marketer, Adsensero. Disfruto los RPG con turnos y combates aleatorios. 2236

Mérida, Yucatán, México.
Joined April 2007
Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)Photo by Enrique Medina (@emv)
Rest in Peace good sir... "I'll see you again."
Again, we just lost another legend today 😔 Legendary mangaka Tetsuya Chiba, best known for creating Ashita no Joe alongside writer Asao Takamori, has passed away at 87. Through the unforgettable journey of Joe Yabuki, Chiba helped create one of the most influential sports manga ever published, a work whose imagery, characters, and emotional ending became deeply embedded in Japanese popular culture. But Chiba’s legacy stretched far beyond the boxing ring. Across a career that began professionally in the 1950s, he created stories about sumo, golf, baseball, school life, war, and everyday people, with many eventually reaching television and film. Some of his most notable works included: • Ashita no Joe — Artist, with writer Asao Takamori • Notari Matsutarō — Creator • Ore wa Teppei — Creator • Ashita Tenki ni Naare — Creator • Harris no Kaze / Harris no Senpū — Creator • Akane-chan — Original Manga Creator • Kaze no Yō ni / Like the Wind — Original Story Creator • Yuki no Taiyō — Creator • Shidenkai no Taka — Creator • 1•2•3 to 4•5•Roku — Creator • Hinemosu Notari Nikki — Creator • Chikai no Makyū — Artist • Misokkasu — Creator • Shōnen yo Racket o Idake — Creator • Mama no Violin — Creator His achievements were recognized at the highest levels of Japanese culture. Chiba received numerous manga honors throughout his career and, in 2024, became the first manga artist to receive Japan’s Order of Culture, one of the country’s highest distinctions. Rest in peace, Tetsuya Chiba. Joe Yabuki may have burned until only white ash remained, but the stories Chiba drew will continue inspiring manga artists and readers for generations. 🕊️
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Can't get over how good this decade has been as a Final Fantasy fan! The 7 Remake trilogy has been a blast, Stranger of Paradise is a fun shakeup of things, FFXVI is vastly different as a numbered title but has incredible features, and Resonance is a great celebration of it all!
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No pueden ser tan hdps jajajaj
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How it actually was
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When in japan
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We've confirmed Azel Panzerdragoon RPG(Panzer Dragoon Saga) runs all the way to the ending, so we're releasing it. I hope this wonderful game lives on forever. yabasanshiro.com/pds-recompi…
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This was posted in the Discord today and now I'm sad
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😂😂😂
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Sim, tem um cara portando a Samus do Supermetroid pro Symphony of the night
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Every game BioWare ever made:
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We are developing a tool that recompiles AZEL: Panzer Dragoon RPG (released in the West as Panzer Dragoon Saga) for PC, built on the emulation technology of Yaba Sanshiro. With it, you can play this classic without a Sega Saturn. You will need your own copy of the game disc. No game data is included. #segasaturn #panzerdragoon #azel #retrogaming
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Replying to @metrictestbed
Not so, but don't give up on Fall Guys. There's a huge retooling underway that will make new things possible.
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Timing is EVERYTHING…
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Tales 🤝 Trails
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Can’t wait for the “game journalist” to somehow screw up in Castlevania Belmont Curse like he did with Symphony of the Night #Castlevania #BelmontCurse #SymphonyoftheNight
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All the Sonic games laid out on display at the Sonic Exhibition in Tokyo!
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Former PlayStation boss Kaz Hirai had a pretty simple way of dealing with Sony executives: ignore them and do what he thought was best for PlayStation. During his time leading Sony Computer Entertainment from 2007 to 2012, Hirai says he didn't always follow what Sony's headquarters wanted. "When Howard [Stringer] and the other executives told me this or that, I went my own way, saying, ‘What the headquarters says is irrelevant. We are PlayStation’" That generation also gave us games like Uncharted, LittleBigPlanet and Metal Gear Solid 4, which helped make the PS3's library stand out. Hirai also made a point of regularly visiting PlayStation teams around the world. He says he visited more than 20 countries and nearly 50 cities during his six years as president, returning to show employees that he genuinely cared about their work.
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Se me hizo el corazón chiquito. 🥹 Todos tenemos una historia con #SaintSeiya, ¿cuál es la tuya?
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🧟 Highlights from a new interview with Shinji Mikami, creator of Resident Evil. • Resident Evil was originally planned as a supernatural horror game involving ghosts. Mikami spent about a month developing the initial concept before switching to zombies. He personally preferred supernatural horror but felt zombies offered a better balance between fear and combat. • Resident Evil began when Capcom wanted to make another horror game based on Sweet Home, which hadn't sold as well as expected. Mikami kept the idea of surviving with limited resources from that game. • • George A. Romero's Dawn of the Dead inspired Resident Evil. While watching the movie, Mikami imagined how he would survive in the same situation and realized that a video game could allow players to make their own decisions instead of following a predetermined story. • The original Resident Evil faced issues during the approval process because of its graphic violence. Sony allowed the game to be released with a warning sticker about its graphic scenes. • Resident Evil's live-action opening and ending were originally planned as CGI sequences. The decision to use real actors was made to reduce production costs. • Approximately 20 million yen was allocated for the live-action sequences, in-game CGI, much of the music, and English and Japanese voice recordings. Mikami recalled that the budget was far too small, forcing the team to make numerous cuts. • Capcom was facing serious financial difficulties before Resident Evil became a hit. According to Mikami, the game's success helped the company avoid collapse. • Despite Resident Evil's success, Mikami's monthly salary was reduced by 140,000 yen following changes to Capcom's producer system. His salary eventually increased after Resident Evil 2 and Resident Evil 3 became successful. • After Resident Evil 1, 2, 3, and CODE: Veronica, Mikami felt the series had become too repetitive and players were growing tired of the formula. He believed Resident Evil 4 needed significant changes. • Mikami gave the Resident Evil 4 team two years and three chances to try something different. But in the end, the team decided to play it safe and stick close to the old formula. That version didn't work out either, so Mikami took over as director. • Mikami removed traditional zombies from Resident Evil 4 because he had grown tired of them. He had always believed humans could be scarier than zombies. • Resident Evil 4 deliberately moved away from the main storyline because Mikami knew he would eventually step away from the franchise. He didn't want future developers to feel restricted by the story he had established. • Mikami wanted future developers to have a choice. If Resident Evil 4's new direction worked, they could stick with it. If it didn't, they could always bring back zombies and Umbrella, which he thought fans would be happy to see again. • Mikami said that when players see a dead body in a horror game, he wants them to feel scared. But instead, they immediately start pressing buttons to see if the body has any ammo. He said this has been a problem for him for decades. • Mikami believes making combat feel satisfying is much harder than balancing difficulty. Getting the aiming, shooting, enemy reactions, and weapon sounds right is one of the most challenging parts of development. • Resident Evil's worldwide success didn't fundamentally change Mikami's approach to game design. He believes the basic elements that make games enjoyable are largely universal, although cultural differences still need to be considered. • Mikami prefers experimenting with new ideas rather than repeatedly making similar games. He said he gets bored doing the same thing and enjoys taking creative risks, even when a familiar approach would be safer. (via: YT/culture-yabai)
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