Liam 🇩🇲 retweeted
me, begging, crying, on my knees: "Please just use plain english, I don't understand what you're saying."
Claude: "The right fix, and the book's lesson applies: the tutorial rotted as a front door because a front door full of claims always rots. So the new root holds only what's timeless — the thesis and three doors — and every claim lives behind it in the thing that goes red when stale."
The next Interactive Pints meeting will be from 1900 on Thursday 30th July 2026 at The Two Brewers, 121 Whitecross Street, London, EC1Y 8JH. #interactivePints #creativeCoding
these coding agents be acting like the mate of a mate who comes back from the bogs with saucers for pupils talking about
"that's a great idea, you know what we should start a business. I'll make T-Shirts, in fact let's start a T-shirt business" bro, chill.
Liam 🇩🇲 retweeted
.@joepease has built a practice around a hard problem: how to make filmed reality lose its descriptive function without collapsing into effects.
His videos do not depend on narrative revelation or symbolic density. They depend on pressure. He takes ordinary footage, subjects it to repetition, saturation, and compositional fracture, and turns the recorded world into something unstable, impersonal, and exact.
In Scott McCloud's "The Sculptor" a supernatural force offers a struggling artist "the power to sculpt anything he wishes, at the cost of having only 200 days to live." en.wikipedia.org/wiki/The_Sc… - anyways - he thinks, waiting for Claude Code to finish flibbergibberting or whatever
Liam 🇩🇲 retweeted
Generating vibrant palettes with Kubelka-Munk pigment mixing, using 5 primaries (blue, yellow, red, white, black). The routine selects 2 pigments and a random concentration of the two; although it can extend to higher dimensions by sampling the N-dimensional pigment simplex.
Liam 🇩🇲 retweeted
So I've been notified that my role is at risk. Would anybody like to hire a me.
I've spent the last 7 years as chief software architect, which realistically meant doing every job from infrastructure to product.
I am interested in everything, and curious to try new things.
Interactive Pints! London #creativecoding crowd meet-up is tomorrow night. Canonbury Tavern, N1 - from 7pm
Liam 🇩🇲 retweeted
I'm thrilled to share my latest creation!
🎙️⚾️ #TheGreatAmericanPastime Endless AI-simulated baseball on the Infinite Baseball Radio Network. An exploration at the intersection of generative AI and storytelling.
Tune in: infinitebaseball.ai
#AI #Baseball #NetArt #GenAI
Liam 🇩🇲 retweeted
With the sudden closure of @jumpshipstudio, I'm looking for a new role
I'm looking for anywhere I can make beautiful things with code, my ideal role would be a mix of graphics programming, technical art, and gameplay programming (or anything else interactive)
Liam 🇩🇲 retweeted
It's official, we are opening an office in London, in King's Cross.
If you are in London or around and thinking of joining us, now is the time.
Liam 🇩🇲 retweeted
Available for adventures
Reach out
Web-GL-GPU / Performances / shading / experiences / Web3 / @threejs
RT appreciated
samsy.ninja
lab.samsy.ninja
🔊
Liam 🇩🇲 retweeted
Some new Ogmios School of Zen Motoring for you 🙏 youtu.be/6oyV5LjbNcE?si=XsUL… via @YouTube
Liam 🇩🇲 retweeted
For London-based artists and creative technologists, this looks like a great opportunity. 👀
Deadline Wednesday morning:
somersethouse.org.uk/somerse…
Liam 🇩🇲 retweeted
since people are seeing it in the beta, I should mention a thing in Sequoia that I got to build with some terrific designers: the new wallpaper! it’s animated and dynamic—as a screen saver it’s different every time. dark mode’s gorgeous too. thrilled with how it turned out. #wwdc
ALT screenshot of the macOS Sequoia wallpaper settings, showing the new entry in the Dynamic Wallpapers section:a view looking up through some abstract trees, with a golden glow near the top spreading down into deep blue shadows