Not associated with IMAX Corporation; purely for non-profit entertainment
Joined September 2017
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THR: Skydance’s Oct 5 press release confirming Gunn/Safran to the CEO Leadership Team as direct reports to Ellison/Kreiz became a point of contention for Skydance Motion Picture Group’s Greenstein/Goldberg who stayed out of DC Studios’ reporting structure
skydance.com/news/press/davi…
James Gunn & Peter Safran thought they had a place in David Ellison's Skydance. But simmering tensions between executives and a fateful Friday visit by Ellison to the DC offices sealed their fate. Story w/@AaronCouch hollywoodreporter.com/movies…
IMAX Frame retweeted
In lieu of flowers, memorial contributions may be made to:
Johns Hopkins Alzheimer’s Disease Research Center Fund
alzresearch.org/giving/
Alzheimer’s Foundation of America Caregiver Resources
alzfdn.org/donate/
Photo Credit: Tommy Garcia
The “Lens Size Readout” setting converts the iPhone’s camera field of view into the equivalent focal length on that format
e.g. ~53mm on an iPhone Air means the primary wide angle spherical lens matches the horizontal field of view that a 53 mm IMAX lens would deliver on 15/65
So I recently badgered my cinematographer @steveyedlin into making my ideal iPhone still camera app. It shoots RAW, bypasses the iPhone's look processing and instead uses the same image processing we use on our movies. apps.apple.com/app/apple-sto…
IMAX Frame retweeted
So I recently badgered my cinematographer @steveyedlin into making my ideal iPhone still camera app. It shoots RAW, bypasses the iPhone's look processing and instead uses the same image processing we use on our movies. apps.apple.com/app/apple-sto…
IMAX Frame retweeted
Just to be clear, I am not leaving The Batman Part II. I am profoundly grateful to Steven for coming to my aid during this challenging time to help me finish principal photography. Thank you to all for your concern and well wishes. 🦇
IMAX Frame retweeted
Steven Soderbergh is coming on to help finish principal photography the final weeks of DC Studios’ and Matt Reeves’ ‘The Batman Part II.’
The news comes after production was paused on the film so that Reeves could attend to a family matter.
More details here: deadline.com/2026/10/steven-…
IMAX Frame retweeted
Because the level of precision and control over the image you have shooting digitally is indispensable. You know exactly what you are getting. The film out process and choice of lenses allows you to bring a more organic, analog quality back to what you’ve shot. A beautiful, and carefully developed imperfection.
IMAX Frame retweeted
Digital-to-film transfers are often used today for specific artistic reasons in films such as Dune: Part One, The Batman, and now Dune: Part Two.
For Part One, cinematographer Greig Fraser ACS, ASC and team decided to shoot digital on the ARRI ALEXA LF and Mini LF, then transfer to 35mm film, and then scan back to digital to imbue the footage with the qualities of celluloid, creating the most accurate emulation possible by reducing the digital sharpness and maintaining low grain, elevating softness.
For The Batman, Fraser again decided to take it one step further, shooting digitally on an ARRI Alexa LF, with the film then recorded out to Kodak Vision3 2254 1 ASA intermediate stock as a negative, which was processed with a bleach-bypass technique and then contact-printed as an interpositive to the same 2254 stock.
Dune: Part Two presumably follows the same process as its predecessor, this time opting for the pre-scanned final IMAX 70mm positive to be used as a theatrical distribution reel.
IMAX Frame retweeted
'The Odyssey' website shows you how the film looks in different aspect ratios 🎞️
IMAX Frame retweeted
The live-action movie adaptation of #ELDENRING, produced by the studio A24 in partnership with Bandai Namco and filmed for IMAX, is slated for release on March 3, 2028.
Production will begin in Spring 2026, and the full cast has been announced. Learn more: bnent.eu/EldenRingMovie
IMAX Frame retweeted
Greig Fraser used newly designed vertical-squeezed anamorphic lenses to achieve the 1.43:1 @IMAX ratio on the Arri Alexa 65 camera and its native 2.11 sensor, leading to vertical flares and unique bokeh in the image.
Source: @ARRIRental (instagram.com/p/DWGzs86EyIb/…)
IMAX Frame retweeted
Experience the epic conclusion. Dune: Part Three only in theaters and IMAX December 18. #DuneMovie #FilmedforIMAX
CORRECTION
Dune: Part Three was shot on a combination of 5-perf 65mm film, 15-perf 65mm, and digital for desert scenes, making it the second blockbuster since The Last Jedi (2017) to mix IMAX formats as well as the first Linus Sandgren-lensed film since 2015 to shoot digitally
Despite being shot entirely on film, including 15-perf 65mm which secured the film an exclusive 3-week IMAX run, Dune: Part Three will ostensibly be marketed as #FilmedforIMAX traditionally marked by the use of IMAX-certified digital cameras like its previous two installments