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Not associated with IMAX Corporation; purely for non-profit entertainment

Joined September 2017
Photo by IMAX Frame (@imaxframe)Photo by IMAX Frame (@imaxframe)Photo by IMAX Frame (@imaxframe)Photo by IMAX Frame (@imaxframe)Photo by IMAX Frame (@imaxframe)Photo by IMAX Frame (@imaxframe)Photo by IMAX Frame (@imaxframe)Photo by IMAX Frame (@imaxframe)Photo by IMAX Frame (@imaxframe)
In lieu of flowers, memorial contributions may be made to: Johns Hopkins Alzheimer’s Disease Research Center Fund    alzresearch.org/giving/ Alzheimer’s Foundation of America Caregiver Resources     alzfdn.org/donate/ Photo Credit: Tommy Garcia
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IMAX Frame retweeted
So I recently badgered my cinematographer @steveyedlin into making my ideal iPhone still camera app. It shoots RAW, bypasses the iPhone's look processing and instead uses the same image processing we use on our movies. apps.apple.com/app/apple-sto…
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IMAX Frame retweeted
Just to be clear, I am not leaving The Batman Part II. I am profoundly grateful to Steven for coming to my aid during this challenging time to help me finish principal photography. Thank you to all for your concern and well wishes. 🦇
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IMAX Frame retweeted
Steven Soderbergh is coming on to help finish principal photography the final weeks of DC Studios’ and Matt Reeves’ ‘The Batman Part II.’ The news comes after production was paused on the film so that Reeves could attend to a family matter. More details here: deadline.com/2026/10/steven-…
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IMAX Frame retweeted
Because the level of precision and control over the image you have shooting digitally is indispensable. You know exactly what you are getting. The film out process and choice of lenses allows you to bring a more organic, analog quality back to what you’ve shot. A beautiful, and carefully developed imperfection.
why not just shoot on film instead of going though this film out process?
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IMAX Frame retweeted
Digital-to-film transfers are often used today for specific artistic reasons in films such as Dune: Part One, The Batman, and now Dune: Part Two. For Part One, cinematographer Greig Fraser ACS, ASC and team decided to shoot digital on the ARRI ALEXA LF and Mini LF, then transfer to 35mm film, and then scan back to digital to imbue the footage with the qualities of celluloid, creating the most accurate emulation possible by reducing the digital sharpness and maintaining low grain, elevating softness. For The Batman, Fraser again decided to take it one step further, shooting digitally on an ARRI Alexa LF, with the film then recorded out to Kodak Vision3 2254 1 ASA intermediate stock as a negative, which was processed with a bleach-bypass technique and then contact-printed as an interpositive to the same 2254 stock. Dune: Part Two presumably follows the same process as its predecessor, this time opting for the pre-scanned final IMAX 70mm positive to be used as a theatrical distribution reel.
‘DUNE: PART TWO’ to play in IMAX 70mm. (collider.com/dune-part-two-i…)
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IMAX Frame retweeted
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'The Odyssey' website shows you how the film looks in different aspect ratios 🎞️
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IMAX Frame retweeted
The live-action movie adaptation of #ELDENRING, produced by the studio A24 in partnership with Bandai Namco and filmed for IMAX, is slated for release on March 3, 2028. Production will begin in Spring 2026, and the full cast has been announced. Learn more: bnent.eu/EldenRingMovie
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IMAX Frame retweeted
Greig Fraser used newly designed vertical-squeezed anamorphic lenses to achieve the 1.43:1 @IMAX ratio on the Arri Alexa 65 camera and its native 2.11 sensor, leading to vertical flares and unique bokeh in the image. Source: @ARRIRental (instagram.com/p/DWGzs86EyIb/…)
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IMAX Frame retweeted
Dune - Ornithopter Tour
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Lamp change/transplant. IMAX 15k xenon lamp!
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IMAX Frame retweeted
IMAX 15/65MM Film | 5/65MM Film | LF IMAX CERTIFIED DIGITAL
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Experience the epic conclusion. Dune: Part Three only in theaters and IMAX December 18. #DuneMovie #FilmedforIMAX
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The Oscars’ response? AMPAS/Oscar CEO Bill Kramer apparently blocked me on Instagram last night after seeing my post expressing disappointment about the broadcast’s In Memoriam omission of my father. You truly can’t make this stuff up.
So incredibly disappointed and heartbroken that the #Oscars and AMPAS chose not to include my father, David Keighley, and his immeasurable contributions to IMAX and cinema in the In Memoriam segment in the broadcast. I will never forget.
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Kodak announced today that Christopher Nolan will present my Mom with with a special award in March to honor her significant role in advancing the art and technology of filmmaking and @IMAX Congrats Mom! More here: hollywoodreporter.com/movies…
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"Batman. Seeing this frame projected in @IMAX makes the difference immediately clear. The retained detail and physical scale of the image are overwhelming in person." 📸 Zack Snyder (IG)
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A film by Christopher Nolan shot entirely with IMAX film cameras. Watch The Odyssey trailer and experience the film in theaters 7 17 26.
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IMAX's new film camera will be named The @IMAX Keighley Camera — honoring both of my parents, who were instrumental in its creation. The camera was first used to film Christopher Nolan’s The Odyssey, coming to theaters next summer. There’s been a lot of well-deserved attention on my dad and his legacy this year, but my mom has been just as vital to IMAX since the very beginning — and she’s still hard at work there every day. As my dad always said, she was 50% of everything he ever accomplished. I know nothing would make him happier than seeing her contributions recognized as well.
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From Director James Cameron, watch the trailer for Avatar: Fire and Ash. Experience the film only in theaters December 19.
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