Intellectric

Christian horror films now funded on LOOR.

I am dedicating today and tomorrow to giving product demos for a new redesign of LOOR. This is first come, first serve. Serious people only. We've completely created a new category called gamified entertainment. This new mobile app design for LOOR, brings together five years of vision for what we always dreamed LOOR was able to do. Empower users to empower storytellers. And I believe the demo will absolutely blow you away. Once you see what my team has done, you won't be able to look at any streaming platform the same again. The entire product is dedicated to maximizing individual user revenues more than Netflix can. The demo is 10 minutes. A quick screen share of the product. That's it. Let me know if you are interested in a demo.

This man, John Chau, missionary to The Sentinelese, is a hero of the likes of other great Christian martyrs up there with the ranks of William Tyndale, and more people should have the courage to do what he did.

For the past five years, I have been working on building a company I truly believe has the power to disrupt Hollywood and empower indie artists. It’s called LOOR TV, pronounced like “Folklore.” The goal is simple: Allow pure indie creators to pitch their dream projects directly to paying monthly subscribers. Instead of the monthly subscription dollars going to executives who control gatekeeping and influence, we let the monthly subscribers fund indie artists directly. Our focus is on good stories that mainstream Hollywood would reject. Your monthly subscription converts into weekly amounts of our own in-game-style currency, which creators can cash out to fund their projects. When a project is fully funded and completed, it streams on the platform. Of course, you can always directly fund artists without a monthly subscription. The point is that the audience builds the streaming library. The audience is the rightful gatekeeper. We’ve proven this patronage streaming model allows us to make more money per subscriber than Netflix or Disney+ can per month. It also gives us the least risk of any entertainment company because all content is funded by the audience, not multi-million-dollar checks written by executives making big bets in advance. Our company profits via each transaction. Exactly like most video game currency stores. Gamification brings in more revenue than Hollywood. And younger generations are familiar with how that works already. The goal is not to make multi-million-dollar box office films, but to incubate a new underground counterculture to Hollywood. The same indie culture that built MTV, Channel 101, and Adult Swim. It gives new artists, whether they are traditional or AI filmmakers, animators, comedians, or video game designers, a way to pitch their projects directly to real people, not algorithms. A way for artists to retain creative control. We’ve been testing this for a while. Our CEO, Shon Tomlin, built FUEL TV for Fox Cable Networks and is no stranger to indie filmmaking and monetizing subcultures. I truly believe this is the way forward: directly putting people who love films in front of people who love making them, and letting the audience choose where their money goes. We’re very early and have lots of plans for how to use this new gamified streaming platform. We have an incredible team, but we need help spreading the word and proving that people believe in this model so we can raise capital to focus on scaling this full-time. Here’s a preview of everything we’ve premiered and pitched to our audience so far. We are just getting started.

The problem with YouTube and Rumble for artists is that they spend years developing a movie or TV show only for the algorithm to ignore it. It's not something you can pitch to an investor. There's tons of great stuff on the internet with less than 100 views. Narrative Filmmakers don't put "Be Sure to Like and Subscribe and Watch till the End" in the middle of their plots. But these are things the algo requires. Social Media Content Creators and Narrative Filmmakers are two completely separate skillsets.