
+44 on an american phone, cat eye running down her cheekbone swiftie since 2023 @taylorswift13 I love you
Joined December 2020
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estella ⎕ retweeted
crediting everything including her happiness to the men she dates is the reason why you guys end up having episodes when they break up omfg have you learned nothing
estella ⎕ retweeted
#TheHungerGames Sunrise on the Reaping is the Rogue One/Andor of the franchise. A sobering, yet powerful story of devastating loss and the necessary cost of rebellion for a sunrise we may never see. As a massive fan of the series and especially this book, I couldn’t have asked for a more perfect adaptation. Francis Lawrence beautifully captures the invigorating spark of revolution and the tragedy of Haymitch’s journey, culminating in a resounding gut punch.
Joseph Zada is a revelation. Completely floored by his performance. So charismatic, lovable, tender, and honest; he perfectly captures Haymitch’s love of people, pain, and rebellious spirit. In a series full of incredible performances, his might be the best behind Lawrence. He’s seriously THAT good.
Like the book, the film challenges our own implicit submission and acceptance of terms we’ve never agreed to when the odds ARE in our favor. It sympathizes with how easy it is to feel hopeless and apathetic about the world today, how futile resistance seems, yet insists that every small act of defiance paves the way for future change, that every platform we have, for as briefly we have it, is a chance to reclaim control over the narrative. Not because that change is immediate, but because what other choice do we have? Lawrence has always excelled at squaring our growing nihilism with the desire to disrupt the system, and Sunrise allows him to interrogate that tension more directly to great effect.
I’ve always maintained that The Hunger Games is one of our most consistent and vital franchises, and Sunrise on the Reaping makes it abundantly clear why the series has transcended the YA boom of the 2010s and is needed today more than ever.
estella ⎕ retweeted
taylor truly gags me bc what the hell do you mean by “swirled you into all of my poems” and “like i lost my twin” ????????????
estella ⎕ retweeted
When you’re halfway through the Beatles biopics and Ringo suddenly becomes yassified
estella ⎕ retweeted
So it's gonna be forever
Or it's gonna go down in flames
Extraordinary untold story of how every last piece of Taylor Swift's wedding decor was BURNED TO THE GROUND 😱 🔗 trib.al/N3Tc4ef
estella ⎕ retweeted
the world owes cynthia and ariana the biggest apology. they were relentlessly mocked, harassed and bullied simply for enjoying each others company and being excited about a movie they worked hard on. the world hates to see women prosper.
Cynthia Erivo calls out the public’s obsession over her friendship with Ariana Grande during the ‘Wicked’ press tour:
“There was this weird sort of, what’s the word I’m looking for … annoyance … at the fact that two women could actually be friends. Like, why are they friends? Why are they connected? There must be something wrong with them. Why are they showing emotion? How dare they cry? And how dare they laugh? And how dare they be emotive and alive? It’s a double-edged sword. Because if we were dead behind the eyes and showing no emotion, there would have been something else to say about it. I wish there was someone who could have been like, ‘Right, this is the proper balance of emotion that you should show. Don’t show this. Don’t show that. Just this amount.’”
estella ⎕ retweeted
#100 - @the1975, "I Always Wanna Die (Sometimes)"
"The track leans away from the darkness it taunts, building to a crescendo of strings ... It’s a delicate handling of ego, but it’s never frail."
rollingstone.com/music/music…
Rolling Stone Presents The 200 Greatest Rock Songs of the 21st Century So Far 🎸
From dance-floor glam to gritty punk, from psychedelic jams to acoustic storytellers, and more. Behold, our list ⬇️
rollingstone.com/music/music…


























































