Amrish

3 months after a @ChatGPT Pro grant, @zmrishh's team at @kenesislabs has: • 2 signed LOIs • A live factory pilot • A @nasscomai Gamechangers Top 5 shortlist They're using factory CCTV for safety and process insights. Codex helped them build faster. Congrats to the team!

launched a model accidentally served trillions of tokens a day 29.4% of the fortune 500 showed up raised a really big series A from @a16z it's been 3 weeks we would like to sleep now

Introducing Arcanoris. Your customers stopped googling. They ask ChatGPT what to buy. If AI doesn't name you, you don't exist. Arcanoris shows what AI says about your brand, who it recommends instead, and exactly what to fix. Free audit, no card, ~2 min → arcanoris.in

The Claude Startups program is expanding to more founders. Members can get a year of Claude Team, API credits, special offers on the tools a startup runs on, and office hours with Anthropic’s Applied AI team.

Liftoff of Starship's first orbital flight

do NOT asl Opus 5.5 to make videos from scratch. good quality videos still come from the reference, taste + direction you give it. without that, it just defaults to the same generic AI slop everyone is already posting. left is @claudeai’s original. right is my version rebuilt for fun. same pacing, same cuts, same movement. took around 30 minutes and cost $0. give it great work to study, then let it handle the execution. prompt below ↓ <inputs> Ask me for: three words for the headline build (one per act), the product line for the first end card, a wordmark name, a simple mark (or draw one), a palette mood for the horizon, a source of real photographs of round objects, and the music. If I skip any, use these defaults: words "Lorem's" → "ipsum to" → "dolorem"; product line "Lorem 5.5"; wordmark "Ipsum"; mark = a circle ring with its lower half filled solid; horizon = warm amber dusk over a black planet; photographs = CC0 museum objects from the Cleveland Museum of Art open-access API (plates, coins, mirrors, shields, roundels, stained glass, carved discs); music = the reference track. </inputs> <direction> A 20 second 16:9 brand film, 1920x1080, 25 fps, frames f1–f500. Concept: the edge of the world. Every shot is the curved top edge of a real round object filling the bottom of frame like a planet's horizon, and the cut lands on a new object every 5–31 frames. Motion law: every shot is a STILL photograph with at most a tiny camera drift. All energy comes from the cuts. No in-shot animation except where listed. The word on the arc never animates; it only changes size and texture at each cut. Look: macro still-life photography: real light, real wear, shallow focus where stated, film grain on every frame (monochrome luminance, alive every frame). Type: one classic serif (Georgia regular) for every word, white or ink per shot, sitting just above the arc. Banned: crossfades, eased moves between shots, procedural noise or sine-wave "textures", rainbow or spectral gradients, purple, violet or magenta anywhere, recolouring the reference's own images, any real brand's mark or words, Math.random. </direction> <structure> Coordinates are px on 1920x1080. Hard cuts at f32, 58, 84, 95, 101, 107, 120, 135, 148, 162, 177, 190, 204, 219, 227, 237, 245, 256, 268, 276, 286, 294, 302, 313, 320, 326, 334, 342, 349, 357, 363, 370, 377, 384, 390, 395, 400: keep these exact frames (37 cuts, verified by a frame-difference scan). Every object is placed so that its rim matches that shot's arc: a circle through (0, yL), (960, yC), (1920, yR). Its crest sits at x960. Scale = arc radius / the object's own rim radius, capped at 1.8× so the photo is never visibly upscaled. S1 f1–31, horizon open: A planet limb with radius 6881 px, centred x960, crest y≈518. Above it a glow band ~330 px thick (warm amber, exponential falloff), a thin bright line 8 px above the limb, and black planet below. Camera push 1.000 → 1.026 with x drift +28 px and y +4 px, linear across the shot. S2 f32–57: dark ground; a terracotta dish rim, focus falling off downward. Camera pan x +32 px across the shot. Overscan the plate by (1 + 2|dx|/1920) so no edge ever shows. S3 f58–83: a marbled bowl rim on black, softened 10 px. STATIC (the reference moves less than 4 px). S4 f84–94: a red-figure plate on a pale grey sweep, contact shadow 50%. S5 f95–100: slipware dish on sage green. S6 f101–106: a blue lustre bowl on near-black, rim light 10 px. S7 f107–119: blue-and-white porcelain on navy paper; arc (706, 542, 706). S8 f120–134: carved celadon on black; camera push 1.000 → 1.008. S9 f135–147: celadon ring plate on cream paper. S10 f148–161: gold-and-paste brooch (scalloped edge) on dusty pink. S11 f162–176: gold repoussé plaque on black, warm rim light. S12 f177–189: patinated bronze mirror on charcoal. S13 f190–203: plain celadon dish on tan paper. S14 f204–218: the only animated shot. A Muybridge bird-in-flight plate (public domain) advances one cell per frame on cream paper, with a hand-painted ochre hoop (radius 1250, centre (960,1700), wobbled edge) as the ground line. TEXT BEGINS. Each shot gives: word, word width in px, centre x, baseline y. Size the font so the reference word's width matches. S15 f219–226: Lorem's 225 / 952 / 509. Inlaid brass tray on smeared dark wood, blurred 5 px, exposure 0.55. Word smeared horizontally 10 px, slightly rough. S16 f227–236: Lorem's 245 / 957 / 508. Cracked clay on black. Word blur 0.6. S17 f237–244: Lorem's 270 / 960 / 519. Imari plate on orange paper; arc (560, 552, 562). Word rough-edged. S18 f245–255: Lorem's 292 / 954 / 518. Bronze mirror back on black. S19 f256–267: Lorem's 325 / 952 / 524. Stained-glass roundel on black, warm rim. Word blur 1.4, glow 0.35. S20 f268–275: ipsum to 370 / 955 / 510. A dark lacquer box backlit on burnt orange, blurred 9 px; arc (660, 600, 660). Word 80% opacity, blur 2.2. S21 f276–285: ipsum to 396 / 955 / 510. Carved black lacquer silhouette on brown dusk; arc (730, 650, 780). Word 55% opacity. S22 f286–293: ipsum to 419 / 957 / 511. Bouclé wool over ribbed corduroy, frayed edge. Word textured by the corduroy. S23 f294–301: ipsum to 445 / 957 / 511. Silver-framed enamel rim on mustard, soft 6 px; arc (760, 610, 760). S24 f302–312: ipsum to 450 / 963 / 495. Pierced creamware basket on black. S25 f313–319: dolorem 580 / 960 / 503. Hammered bronze on brick red. S26 f320–325: dolorem 590 / 963 / 518. Blue-and-white bowl on a dark peach ground; the white word must have contrast. S27 f326–333: dolorem 625 / 952 / 523. A gold coin rim on black, focus falloff; arc (700, 600, 700). The rim stays fully below the word. S28 f334–341: dolorem 625 / 957 / 508. Silver repoussé flowers on black. S29 f342–348: dolorem 675 / 952 / 523. Beaded silver dish on cracked plaster; arc (696, 576, 650). A diagonal cast shadow over the right ~45% of the frame darkens both the plate and the word. S30 f349–356: dolorem 690 / 960 / 523. A gold seal rotated 90° on sage paper. S31 f357–362: dolorem 700 / 956 / 513. Ink word on a Delft plate over off-white. S32 f363–369: dolorem 765 / 962 / 518. Ink word on an embroidered textile roundel. S33 f370–376: dolorem 865 / 957 / 545. A polished mirror on dark ember; arc (560, 440, 560). S34 f377–383: dolorem 800 / 965 / 518. Ink word on a fretwork bronze cover over off-white. S35 f384–389: dolorem 820 / 965 / 523. Ink word on a carved stone disc over parchment; arc (576, 410, 576). S36 f390–394: dolorem 830 / 965 / 518. Silver repoussé blurred 7 px on black; arc (760, 560, 760). Word blur 3.2. S37 f395–399: dolorem 825 / 962 / 518. Carved stone glyph on black, warm rim. S38 f400–500, end card: The S1 horizon world, with the limb low in frame (glow rising from y≈850). "Lorem 5.5" centred at (960,540), sized so "Opus 5.5" would be 377 px wide plus 9%, Georgia with lining digits. Camera drift +100 px over f400–455. At f433 hard-swap to mark + "Ipsum" at about the same size and centre. f456: the camera starts tilting up. Per-frame upward velocity f457–500 (px): 1.25, 1.75, 2, 2.25, 2.75, 3.25, 3.5, 4, 4.5, 5.25, 5.5, 6, 6.5, 7.25, 8, 8.5, 9.25, 10.25, 10.75, 11.75, 12.5, 13.75, 15, 16, 17.75, 19, 20.5, 22.5, 24.25, 26.25, 28.5, 30.5, 32, 34.5, 37.5, 40.75, 44, 46.25, 47.5, 46.25, 42.25, 35.5, 27.5, 15.25 (total 810). The logo rides the world and blurs vertically by 0.4 × velocity, interpolated continuously. f500 must equal the f1 view, so the film loops seamlessly. </structure> <build> 1. One renderer that draws each frame as a pure function of the frame number: seed(shot start) for every random value, no timers. 2. Plates: download museum print JPEGs, model the grey sweep with a 2-D polynomial fitted to the border, threshold, keep the single connected object, close and open with 9 px, choke 3 px, feather 1.8 px. Fit a circle to the top rim. Pad each cutout 900 px with edge-extend so no photo border ever reaches the frame. Never apply a contrast curve to the photographs: museum JPEGs posterize. 3. Cache each still shot's plate once and add per-frame grain on top, so nothing freezes. 4. Before rendering, scan the shot table for one-frame outliers and any bad first or last value. Block the render if any exist. 5. Encode H.264 yuv420p, 25 fps, CRF 15, mux the reference audio. Count the frames: 500. Also build a synced side-by-side (REF | REMAKE). </build> <gotchas> - Fitted arcs fail on blurry, dark or line-drawing shots. Hand-set those with the three-point circle. - Upscaling a museum photo past ~1.8× looks mushy at 1080p. Pick a bigger object instead. - PIL floodfill silently does nothing on a numpy-wrapped image; .copy() it first. - Particles must sit behind the object and the word, never on top. - A bright rim crossing the word kills legibility. Keep every rim below the baseline. - The reference shot S3 looks like a pan but is static. Measure before you animate. - Run a motion critic and a design critic (separate agents, default stance reject) at full resolution. The design critic judges "as expensive as the reference, frame vs frame". Loop until both score 8 or more. </gotchas> <start> Ask me for the inputs. Then show me 4 stills (f2 the horizon, f170 the gold plaque, f330 a text shot, f440 the end card) side by side with the reference before you render the full film. </start>