simongarlick

Two atheists on the King James Bible: Richard Dawkins: A native speaker of English who has never read a word of the King James Bible is verging on the barbarian. I am a little shocked at the implication that not every school library already possesses a copy. [Dawkins said he would gladly give to a fund whose goal was to provide a KJV Bible for every school library.] Can that be true? What do they have, then? Harry Potter? Vampires? Or do they prefer one of those modern translations in which "Vanity of vanities, saith the Preacher, all is vanity" is lyrically rendered as "Perfectly pointless, says the Teacher. Everything is pointless"? That is Ecclesiastes, 1:2, as you'll find it in the Common English Bible. And you can't get much more common than that, although admittedly the God's Word translation provides stiff competition with "absolutely pointless" and the Good News Bible challenges strongly with "useless, useless". Ecclesiastes, in the 1611 translation, is one of the glories of English literature (I'm told it's pretty good in the original Hebrew, too). The whole King James Bible is littered with literary allusions, almost as many as Shakespeare (to quote that distinguished authority Anon, the trouble with Hamlet is it's so full of clichés). In The God Delusion I have a section called "Religious education as a part of literary culture" in which I list 129 biblical phrases which any cultivated English speaker will instantly recognise and many use without knowing their provenance: the salt of the earth; go the extra mile; I wash my hands of it; filthy lucre; through a glass darkly; wolf in sheep's clothing; hide your light under a bushel; no peace for the wicked; how are the mighty fallen. Christopher Hitches: Though I am sometimes reluctant to admit it, there really is something ‘timeless’ in the Tyndale/King James synthesis. For generations, it provided a common stock of references and allusions, rivaled only by Shakespeare in this respect. It resounded in the minds and memories of literate people, as well as of those who acquired it only by listening. From the stricken beach of Dunkirk in 1940, faced with a devil’s choice between annihilation and surrender, a British officer sent a cable back home. It contained the three words ‘but if not … ‘ All of those who received it were at once aware of what it signified. In the Book of Daniel, the Babylonian tyrant Nebuchadnezzar tells the three Jewish heretics Shadrach, Meshach, and Abednego that if they refuse to bow to his sacred idol they will be flung into a ‘burning fiery furnace.’ They made him an answer: ‘If it be so, our god whom we serve is able to deliver us from the burning fiery furnace, and he will deliver us out of thy hand, o King. / But if not, be it known unto thee, o king, that we will not serve thy gods, nor worship the golden image which thou hast set up.’ A culture that does not possess this common store of image and allegory will be a perilously thin one. To seek restlessly to update it or make it ‘relevant’ is to miss the point, like yearning for a hip-hop Shakespeare. ‘Man is born unto trouble as the sparks fly upward,’ says the Book of Job. Want to try to improve that for Twitter? For those interested here is a link to a Hitchens article about the Authorized Version of the Bible (KJV): vanityfair.com/culture/2011/… Just so. Don't mean to give the impression that these two men believe in the Bible. Far from it. After all, they are atheist. Nonetheless they revere the Elizabethan English therein. Why? I suspect because of something Dwight Macdonald wrote: "The King James Bible came at the end of the Elizabethan age, between Shakespeare and Milton, when Englishmen were using words more passionately, richly, vigorously, wittily, and sublimely than ever before or since." That is the context of their admiration.