kenny miller (@kenbot) header
kenny miller (@kenbot) profile picture

co-founder https://xitter.gq/t.co/sjbqnpcUlx lead creative technologist at https://xitter.gq/t.co/U5RsnxFl1Q

Los Angeles, CA
Joined March 2007
Photo by kenny miller (@kenbot)Photo by kenny miller (@kenbot)Photo by kenny miller (@kenbot)Photo by kenny miller (@kenbot)
kenny miller retweeted
The DGA has an online archive of deep dive career history interviews with some all time legends that are all worth digging into. I got to interview a hero of mine for this series, the great and powerful Frank Oz. dga.org/craft/visualhistory/…
19
110
6
844
62,194
this is very clearly an interface and interaction design problem, not something inherent to agents. the system is designed in a way that encourages maximal decision deference to the machine, under the guise of machine intelligence. it is also designed in a way that encourages passive, disengaged interaction with the system. anyone even remotely familiar with decision architecture and the decision support v automation distinction can instantly recognize that the way information is structured and presented, and the role the user is placed in within the user-machine interaction dynamic is one where the design intent is for the system to make the decision (as many as possible!), and the intended role of the user is to approve it -- ideally approving as few decisions as possible. this drives engagement in a facebook-y social media way, but leads to vastly worse outcomes. the results are evident. also -- while (obviously) I'm a big proponent of thinking deeply about how we rearchitect organizations and thoughtfully design work, I do think this particular issue is a design problem *first*, and an organizational architecture problem *only* insofar as organizations are forced to behave defensively against adversarial product design as long as better alternatives are not available.
New Anthropic research: How AI agents shape experts' judgment calls When experts delegate work to an agent, do they still make the key decisions? We tested this in a randomized trial with 50 professional data analysts.
11
46
4
338
13,038
Love it!
Check out this sweet and quirky AI sci-fi short, Nobody Dies on Mars, by @verenapuhm and her team! It's about a chef who's lost his sense of taste on Mars and ends up befriending the cutest little alien, Miso. Love the friendship between these two and the fun take on life on Mars! Also, huge congrats to Verena and her team for taking second place at the 2026 Future Vision XPRIZE and winning $100,000! 🎉
2
102
kenny miller retweeted
we do not talk enough about how fun AI is to use.
17
4
3
133
2,947
kenny miller retweeted
I told Opus to read recent SIGGRAPH papers and build the coolest thing it could 🤯 This is a differentiable particle sim running backwards, that uses NVIDIA Warp to optimize 450k launch trajectories to EXACTLY match when the beat drops... No video models - every pixel is code.
16
13
3
98
8,772
kenny miller retweeted
Do you call it 4D printing, if the platform moves as well 🤔 3D printing just got a serious upgrade A new five-axis printer can handle 70° overhangs, no support structures needed. This breaks traditional limitations and opens the door to more complex, curved designs. Perfect for engineers and designers pushing the boundaries of what’s possible. Exciting times for the future of additive manufacturing.
82
105
39
1,084
105,135
kenny miller retweeted
Well, here we go!
Watch the new trailer for Gossip Goblin's #GodsDontGiveGifts, coming to theaters this December.
159
130
17
2,216
93,823
One of his power pop gems, “I Could Never Take the Place of Your Man”
best Prince song but you can’t say purple rain, kiss, when doves cry, diamonds and pearls, the beautiful ones or adore…..
1
1
1
11
1,277
kenny miller retweeted
GAME CHANGER. @trymirage looks crazy. As someone who’s done motion graphics using After Effects I’ve literally spent countless hours trying to get a small animation to cooperate, this is going to save so many people so much time. I’ll be digging in tonight. Stay tuned.
Now Claude and ChatGPT can natively create Premiere (.PRPROJ) and After Effects (.AEP) files. We've added open-source converters to Tesseract, our creative suite for agents, to make it possible. It works both ways. Bring your existing Adobe projects into Tesseract and let your agent pick up where you left off, or vice versa. This is our first open-source release, and compatibility isn’t perfect yet. Create projects, tell us what breaks, or contribute a fix. Help us make Tesseract better for everyone. Try now for free.
5
2
16
1,391
kenny miller retweeted
Major milestone for our industry
Today is historic MPA-approved trailer for first AI film with a traditional theatrical run Gods Don't Give Gifts is R-Rated Submitting for Best Animated Feature Oscar --> Variety article @Gossip_Goblin @fableshowrunner
12
4
1
89
7,128
kenny miller retweeted
I gave Claude Opus 5.5 the original 1982 Gremlins screenplay and access to @invideoOfficial's new MCP and told it to make a trailer for the film using only the screenplay. No existing references from @joe_dante's films were permitted. Claude designed the creatures from the script's descriptions, then wrote, generated, scored, and cut this trailer on its own using @invideoOfficial. I provided no creative input beyond the initial prompt, which told it to make it look like it was from 1984 and use practical creature effects. What do you think? How'd it do?
61
19
5
297
23,971
kenny miller retweeted
building a spatial music tool in WebXR @threejs
47
127
21
828
79,513
kenny miller retweeted
Algorithmic plants / L-systems in AR @threejs @Spectacles
10
27
1
208
16,786
kenny miller retweeted
Photons // Experiments with having Opus 5.5 use Python to constantly redraw glowing contour lines over a video I made in Seedance 2.5.
10
6
1
64
4,119
kenny miller retweeted
「Dot battle」 バトル素材で違った表現を模索。 Opus 5.5でBlenderとPythonとAEを操作。 AIの映像を拡張できそうな予感。使い所は不明。 でもドットを打つことが大事ってジョブズも言ってた。 ■素材 ・バトル映像と音:Seedance 2.0 ■Blenderとコードでやらせたこと ・人物の輪郭と奥行きを解析して、映像をドットに置き換える ・半拍ごとに、ドットの大きさ・色・背景を切り替える ・打撃に合わせて、ドットが潰れる、カメラへ飛び散る、時間が止まってカメラが回り込む ■わかったこと ・ドットが大きすぎると、何の映像か伝わらない。小さすぎるとかっこ良くない。 ・切り替えを1拍ごとから半拍ごとにして、打撃で粒を潰したら、一気に激しくなった ・ずっと速いだけだと単調。止める場面を挟むと、速い所が効く ・打撃のたびにドットを爆発させたら、人物が読めなくなった。爆発は弱く短く
34
102
14
960
125,226
kenny miller retweeted
This may be one of my favorite StyleGAN models. Such a trip 🫠
22
41
2
386
11,099
WorldsWorldsWorlds
2
6
1
73
9,070
kenny miller retweeted
You can now add live voice conversations, powered by @OpenAI's GPT-Live, to your Lovable apps. @mgfeller built one where you can talk to Rocky from Project Hail Mary. Amaze amaze amaze.
15
17
17
245
29,777